From iconoclasm to ruins

All paintings by the author ALEXANDER ADAMS surveys the story of deliberate destruction We are familiar with the folly and – from the Baroque period onward – the purposefully constructed ruin used to enhance the pathos of a place, most especially a view of a country estate. This would be a view that could be…

Home learning

PETER KING says that houses are not machines, but ‘organisms’ animated by us I was lying in bed one morning, with no plans other than to roll over. It was too early to get out of bed, and I had nothing to get up early for. As planned, at 7.00am the heating system clicked into…

Secrets of the archives

MICHAEL WILDING remembers stirrings among the dead letters The first piece of writing for which I got paid was an article in the local weekly paper. I was just 18, marking time between leaving school and going to university. The paper, Berrow’s Worcester Journal, claimed to be the oldest newspaper in the world, dating from…

Deep mapping the imagination

DAVID UPTON looks to the future of psychogeography Artists, academics, eccentrics, the flippant, the deadly serious, those with a plan and those without one, cluster around psychogeography like politicians round a fake news story, anxious to use it for their own objectives, or just to have a good time. It was largely with the last…

Auntie’s anti-conservatism

ALEX PUGH suggests some reasons why the BBC is so leftwing I first worked in the BBC in 1981 in its Birmingham Pebble Mill studio. I well recall its large bar, where I sometimes drank with a middle-aged producer. One day, a Cheltenham MP named Charles Irving was in the news. This producer said to…

Why Milton matters

Gustave Dore illustration for Paradise Lost BARRY SPURR rides to the rescue of the blind visionary When the Oxford philosopher, Isaiah Berlin, was at St Paul’s School in London, in the 1920s, John Milton’s 200-line pastoral elegy, ‘Lycidas’, was set for learning by heart by the boys. Decades later, when Berlin visited the newly-established Wolfson…