DEREK TURNER revisits a medieval Lincolnshire folktale, of the dragon of Castle Carlton
The song of the lark was abroad in the Marsh, with March greening the tips of the willows – but in Hugh Barde’s heart it was December.
He’d come out of his door in disgust, and now stood in the shadows, looking at his courtyard in deep dissatisfaction. Damn Hildegard! She’d been at him again. The same bloody subject – Sir Guillaume. How much better their knightly neighbour was as landlord. How much more successful. How much better maybe even as a man.
The despicable knight– him, a knight! – had just expanded his estate again, so his holdings now nudged right up against Hugh’s on two sides. The little hill on which Sir Guillaume’s handsome castle stood had always been irritatingly visible from Hugh’s chamber window, but now his churls could also be seen not far from Hugh’s front door, cutting brushwood and digging a ditch to drain the two carucates Hugh had not been granted by the King.
Guillaume, it was well known, was also manoeuvring to get the acres of waste along the coast road – right where Hugh had always intended to plant his town. Soon the jumped-up bastard’s corn would be waving right in front of Hugh’s own gates, his sheep baa-ing balefully on all sides. If this wasn’t stopped, soon the fame of the Bardes would start to fade, their line bleed into the peasantry. One day, Hugh thought, trees could be growing in this garth, uprooting all the Bardes’ embankments.
Guillaume, blast him to Hel, was cousin to the King, thanks to artful marriage into one of the oldest families in Falaise. That was why he was granted lands. That was why he was Lord Justiciar, holding life and death over the district, and with entrée at Court. All this, although both Barde lines were older, and incomparable at war. Yet Hugh’s father – a descendant of both Charlemagne, and the man who had won the way up out of the Malfosse – hadn’t even been given permission to fortify his own bailey! Hugh looked around sourly, thinking how shabby his holdings seemed, and how small. Ever since coming back from the wars, everything had seemed unsatisfactory.
It appeared not even Heaven favoured the family. Hugh had spent three whole years in the Holy Land, and at Aleppo had felled the Saracens’ giant champion – while Guillaume had stayed at home eating, reckoning up deeds and scrip with his fat fingers and soft hands. They didn’t even have a halfway-decent house-chaplain, Hugh reflected bitterly, as he noticed that shaven-headed spiritual advisor slinking out of the chapel, and towards the kitchens with their ale-barrels. As well as being a sot, he was also ignorant and lecherous, spending less time with the Church Fathers than with the miller’s mooncalf daughter.
Hildegard couldn’t really understand the way courts worked. She was only an English noblewoman, and so scion of a failed nation – although that little detail didn’t stop her having commanding airs. Hugh’s mother had had these too – sniffily conscious of her Mercian bloodline, and obviously regarding her husband’s people as brutal arrivistes. Once, when especially exasperated, Hugh’s father had confided in him that he wished he had found some nice quiet bride from the old country.
National pride lurked in even the mangiest and muddiest of Karleton’s vassals, for all their bowing and scraping and tugging of their stringy forelocks – as if they still hated, just waited to overturn their nation’s fate.Our nation’s fate now, Hugh corrected himself glumly. Two of these half-fellow countrymen trundled past at that moment, inclining their heads in what Hugh was sure was false fealty, towing a cart piled with fresh-cut reeds. Hugh looked sourly at their smocked backs, suspecting they were smirking.
Hugh’s Norman ancestors had now been in England for over a century, and of course his English antecessors since time out of mind. Hugh’s Norman grandfather had symbolically placed their bailey on the outline of an ancient fort. Yet Hugh still often felt he was not fully of this place. He wasn’t quite accepted, not privy to its secrets – didn’t know its still half-heathen gods. The full-bloods seemed a people of primitive beliefs, dwelling in a realm of ghosts.
Their superstitions could be contagious, even for Hugh, who had read a little, and travelled widely. There were odd moments, even on the bravest of days in the season of the year, when Hugh was eager on the trail of the boar, that he would find himself drifting into peculiar reveries, as if suddenly seeing himself from outside. All earthly sounds would die away, and he was suddenly unsure about where on earth he was, and what he was doing and why. Moments when it seemed nothing was real.
Some unanticipated movement might cause him to pause – or breaking through an arras of trees to find some hot and muffled clearing, where something important seemed just about to happen, or maybe had just been. Moments when the only noise was Bayard’s breathing, as the great big-eyed bay laid back his ears in fear, and goosebumps rose along his glistening neck. Some deeper than usual dappling or shadow – the monstrous shape of some trunk – the way roots seemed to swarm out of the ground… Hugh would foolishly imagine darting eyes amid the tangling leaves, cold watchers among the boskiest brakes of thorn.
There were wolves out here sometimes, of course, and cats – not to mention brybours, wandering robber-gangs who sometimes stooped to murder, about whom Guillaume naturally did nothing. The only crime he cared about was poaching, as might have been expected from such a voluptuary – who reportedly enjoyed watching miscreants being beaten in his basements.
But Hugh also sensed less corporeal dangers – dangers not easily driven away by the angriest barking of alaunts, or the most stoutly-wielded steel. The boars themselves could be more than just meat – capable of biting and excreting as burningly as any bonnacon, giving off infernal fetor, some even capable of shapeshifting. Witches still lingered in some corners of the woods, and leaf-clad wodewoses padded the greenest glades of all.
Even out on the open moor there were sunsets that seemed significant, dangerous dawns, and aery phenomena. The moon sometimes had a corona, at that season when ice-floes encrusted the beach, and your breath hung before your face like your essence escaping. On the night the old king had died at Thorney, a flaming star had arced over Karleton, charging eastwards at colossal speed before dousing its glim somewhere out at sea. The year of the Great Hunger, a vast skeleton had been seen by many out over the waters, grinning and stretching a long arm towards the land.
On the clearest and coldest nights, the alaunts would sometimes bay for unknown reasons, joined by the limers and greyhounds, signalling something unseen. These would awaken other dogs, and so others, and so others – on endlessly out across the silvery east, across expectant leagues of fen and moor, broad river and misty ditch, making churls curse and scratch on their paillasses, lords stir and mutter in their tapestried chambers, and wakemen look upward in interest. These eldritch alarums could carry all the way to Lincoln, to vex the uneasy moneylenders in their fancy new houses on the Hill, and the canons in the Cathedral, whose slumbers were too often filled with sin.
Even under the fullest light of day’s eye, there were lanes no-one liked going down, and particular pools in the fens, black and cold as could be, showing shivering facsimiles of the firmament, and tremulous reflections of reeds – whole worlds inverted, as if reversed men might be growing downwards into some underland. Summer’s lightning-flash adderbolt flies betokened the nearness of vipers, whose red tongues also lolled forth from the marsh-flowers gathered as simples by the goodwives.
The Anglais thought these pools held hags, or monsters they called nicors, Sir Guillaume had once informed Hugh superciliously (well knowing Hugh’s half-blood inheritance) – serpent-spirits that crept out at night to drain the udders of kine, or batten on the tender throats of children before taking them below. Their vapours were blamed when men sickened in the Marsh with unaccountable fevers, and grew yellow with unhealth and waking dreams. Women grew fractious and thin-haired in the noxious fumes, and brats often died at the dug.Hugh didn’t reject these stories nearly so readily. It couldn’t be denied that strange things did happen.
The Blue Stone, for instance, that had been dragged with such labour from the Bishop’s bovate, had eventually needed to be reinstated to stop the bad luck. Even Hugh’s hall was visited in the night by what the maids called boggarts – casting charms or stealing, sometimes just nuisances, sometimes something much worse. The maids propitiated them with dishes of milk, which would be empty the following day – although Hugh guessed this sometimes had more to do with cats, house-cousins of those at large in the greenwood. Hildegard had one – a grey Grimalkin that would sit with her while she span, glaring at Hugh, and hissing if he came too close. It was with her now, he knew – a changeling for a fine lady’s chamber, a watchful reminder of old darkness under trees.
Hildegard was right, though. It was unfair the way they were treated. If only, he thought yet again, he could find some way to distinguish himself. There were so many things he yearned to do, to turn the waste into fine estate, and secure a future for the boy. He saw the bailey made good, an elegant abbey arising, rows of robbers in gibbets, the trim roofs of a gated town with carts coming clopping from the coast, each carter leaving a token of respect to the Bardes, who had made the Marsh to bloom.
He turned his head. What was that? Something odd was happening down by the ash-grove. There was a crowd – a very large crowd, several hundreds perhaps, with others coming at a run. They couldn’t allbe from Karleton. But whoever they were, they should all be working, he thought, as he walked their way irately.
But as he neared, he realised the reason for this strange stoppage. One word stood out amid a hubbub of wildly excited noise – wyrm, wyrm. As they noticed his presence, the crowd faltered and fell sullenly silent, looking down, or at each other, or away.
Hugh spotted a solid sort of servitor – Asser of Markebi, the master-mason. “Well, Asser? What is all this?”
Asser cleared his throat. “It’s a worm, sire! They say a great worm has come to Ormesbi – burning everything, eating people! A worm, sire, with a single huge eye like a burning wheel!”
“Nonsense!” said Hugh reflexively – but his heart sank into his stomach. Everyone knew dragons existedoutside the tales boys were told – the saint taming the Tarasque, the dreadful Guivre of the Seine, the Shaggy Beast of La Ferté-Bernard, the loathly Lambton worm, Piers Shonks of Pelham, the white wyvern of the West and the crimson firedrake of the Welsh, locked together forever in fight far under Cambria, contesting for the country in eternity.
Had not the most learned geographers written of terrible lizards, and hadn’t Ptolemy set a dragon in the night-sky? Hugh had himself seen a crocodile in the Holy Land, and dragon’s blood on sale in apothecary shops. Kings of England had carried a dragon device. The Conqueror too had been called dragon for his desolations. Were not huge bones sometimes found in fields, or seen in the faces of cliffs? At Conisbrough of the Warennes was a stone showing a writhing beast beset by bishops. Hadn’t Sir Richard Buslingtorp bested a fierce Python just a few years before? The gold he had found afterwards had been the making of his fortune. Tiny dragon-like things could even be seen in Lindsey’s ponds, cousins to the cave-dwelling salamander, which crouched amid all flames unscorched.
In any case, the Bible was clear – such terrors had been in Babylon and would squirm forth again, crawling masters of the ground, agents of Chaos, emissaries of evil, harbingers of The End. Every Rogation-day, the churls carried a dragon effigy while they beat the bounds, immolating it after to feed the fields, and as insult to creeping Pontius Pilate. There would always be such beasts, until all lands were drained and tamed, and the End of Days.
Asser propelled a scarlet-faced man forward. “This is John of Ormesbi, sire. I knew his father – a man right worthy. He has run here to tell us what he has seen this day.”
John looked up defiantly into Hugh’s face, obviously not expecting to be believed.
“This morning, sire, a giant serpent, with wings, and a great rolling eye, landed on our hill like thunder! Longer than the church, it was – taller than the trees, blacker than night, hungrier than the wolf! It ate the sheep, the swine, and some of our people – and scorched up all the earth with its foul breath and trampling claws. Everyone fled! No-one can withstand such! I and all these others ran all the way, to warn you.”
The crowd burst back into babble, while Hugh tried to assess John’s worth. Eventually, he asked, “Did you take this report to the Lord Justiciar?”
“Yes, sire, with these men, and other men from Ormesbi, and Calesbi, and Wormesgay, and Burwell. From everywhere. But the lord just said – well…“. He paused, and looked away in indignation.
“Well?”
“The lord sent down a message, sire, by his steward, saying these were lies, and that we had better return to work, or face whipping!” The crowd groaned and seethed and muttered. “Norman scum! Always the same! That’s how they treat the people!”
John spoke up again: “But these are no lies, sire. I swear it, on the Virgin’s life!”
Asser interposed gravely. “Master Barde, I believe this man is in the right.”
Hugh’s brain was awhirl. Of course Guillaume wouldn’t go. He’d always been a coward, though who wouldn’t be when it came to dragons? Cowardice could never be an excuse, though – not for such as valued their honour. And now all were looking to him. There was no-one else. And sometimes – he gulped – even the worst fears needed facing. At last he nodded.
“I believe you, John of Ormesbi! I believe you.” He clapped John on his shoulder, startling him, and himself, with his condescension. “I will go!” he said, and the crowd inhaled in admiration. Before he could change his mind, he started issuing orders. “You, boy – to the hall! Send for the priest Godric, and Athelstan my esquire. Bid them meet me in the courtyard!”
“Yes, sire!” Several boys raced away to be first with the news, as Hugh walked quickly towards his hall, followed by most of the crowd. As he approached, Hildegard was already issuing forth, holding the hand of their wide-eyed son, three-year-old future of the line.
“I have heard this strange news, husband! Is it true? And are you then riding out?”
Hugh nodded rather stiffly, but then Hildegard broke out wonderfully into a radiant smile – a smile he had never seen before. “The Bardes are never fainthearts!” she cried proudly. Hugh straightened instinctively, and then she drew him apart, speaking in low and eager tones. “Our neighbour has spurned this challenge?”
“He has, wife!”
“This then is your chance – our chance! Kill this thing, and tell the King, and Guillaume too is finished. He cannot be Lord Justiciar if he does not do the Lord Justiciar’s work! And then, husband, and then…well, who could be better fitted than a dragon’s bane?”
Hugh was struck by this. But there was one obvious difficulty. “But what if I miscarry! What if… well, what if I don’t come back?”
“You will not fail, husband! But – if you do, then you will have died like Roland – an example to our son, and certain of a place at Heaven’s board. I should be proud to be widow of such a man!”
Hugh couldn’t help wishing she had seemed less easily accepting of that prospect. Hildegard however kept talking, “But I know you can do this, husband. And when you do, you will have your reward. Your rights. Do this thing, for our son. Do it, for your honour. The King cannot refuse you anything if you succeed. And nor” – she paused significantly – “nor could I!”
Hugh could see it all – the grateful countenance of the King – the downfall of Guillaume, reversion of his lands to the Crown and so to him – a barony, and crest – a market charter. Above even these swam that superb new smile of his wife’s – a smile that filled his heart, and seemed to strengthen his sword-arm. He inhaled deeply of fragrant future-time, and a new kind of life with a Lady as wife.
Then his esquire Athelstan arrived, with boys and accoutrements as brilliantly burnished as the day they had been stored – chainmail, breastplate, bascinet, helm, long shield, and sword. Another boy came struggling after, battling to balance the long lance last levelled in the Holy Land. The stable-boy also came hastening, leading Bayard by the bridle, and another boy trotting alongside, tightening the girths of the war-saddle last straddled against paynim in Palestine. Everywhere was frantic with life, as if half the Marsh had come.
“Hold!” Hildegard cried, and all astonishingly did, struck by her command and clarity. “Goodwife, lend me your dirk.” To murmured delight and surprise, she sliced a strip of blue cambric from her own bodice. “Here, husband. My token!” She smiled yet again, but Hugh had no time to dwell even on that as he found himself beset.
The courtyard teemed with clamouring men and women of all ages and degrees, and from several estates, noisily exchanging advice about the best ways to deal with dragons. Lore was dredged up from murky depths, rich and shiny and strange as upcast from a ditch. There was a cacophony of contradictory suggestions, drawn from everywhere and nowhere. “Look for the gold! – Don’t look in its eyes! – Watch for its tail! – Don’t let it speak! – Give it an ox head! – Give it milk! – Bind it with a virgin’s girdle! – Watch for the wart! – Its blood burns fire! – Quench it in the lake!”
Hugh’s soldiering sense somehow asserted itself, and he went over to the corner to urinate before donning his array. He had once disgracefully bewrayed himself outside Jerusalem. As he adjusted his britches, he saw the priest Godric emerging furtively from the fortuitously unattended kitchens, wiping his mouth with the back of his hand, as if wiping ale away, which almost certainly he was. Hugh considered him dissatisfiedly; if only there’d been time to bring the Bishop, or even the Abbot from Louth.
“There you are, priest! Look lively! We have a great work to do!” Hugh moved over to the waiting esquire and house-boys, and now stood still among them, arms outstretched, as they began to gear him up. Athelstan’s fingers moved swiftly over Hugh’s sturdy frame, expertly buckling and lacing, every moment weighing him down more heavily.
“A great worm, sire!” said the priest. “Can it be true?”
“Why not? They’re in the Bible, aren’t they?”
The priest seemed unsure, then brightened. “There was one in the Garden, sire. It tempted the woman! And, err, there were some more, near the end!… Or were those gryphons?”
Hugh snorted. “I seem to remember there were a few more than that! But let’s not worry too much about fine exegetical points!”
The priest smiled ingratiatingly. “Of course not, sire! Of course not, ha ha!” He paused for a moment. “May I just say, sire, how admiring I am of your great courage? And how proud I am to have known you? It has been my great privilege to have served you in howsoever humble a capacity…”
“You’re still serving, man! You’re coming with me! You, Father, are my spiritual buckler and shield! You’re the best I can do at short notice!”
There was rough laughter from all within hearing as Godric gawped. “Me, sire? You don’t mean it, sire! I mean, you can’t. And…and what about the Rector at Ormesbi? Or Calesbi? I would not wish to impinge on their privileges… Or perhaps Oswald of Burwell …”
Hugh smiled grimly. “Eaten, for all I know! They’re probably choking the beast right now! It’s up to you, I’m afraid, Father. This is your chance! So go and get your book, and your cross, and your water, and get ready to ride – there’s a good priest. In fact, who not put on all your gear? It can’t do any harm. You, boy, go with him to help – and you, get the priest’s palfrey. You, fetch Dagobert and Manu. Today is the hunt of hunts!”
All the dogs had sensed the excitement, and were moving and moaning in the kennels, snapping impatiently at each other, whimperingly eager for the off. With difficulty, the kennel-hands eventually extricated white-and-black Dagobert and brindled Manu, Hugh’s favourites – veteran companions of la chasse, gashed with tusk of boar and tooth of wolf, slobberers over Hugh’s hands, and sires to many lusty pups. They almost pulled their handlers off their feet, nearly strangling themselves as they surged towards their master, drooling and whining. Everywhere was a-thrum with thrilling errantry and an acrid tang of fear, like the end of some age, or the start of a new.
All too soon, Hugh found himself clambering onto Bayard’s broad back, for what he couldn’t stop thinking might be the last time. Athelstan waited stolidly by, on his horse Godwine, Hugh’s lance resting in straps alongside his saddle until called for. The priest was being shoved unceremoniously up onto his mount, the humorously-named Godspeed, tricked out almost comically in full canonicals, holding miserably on with one hand, while the other clutched his book. Vials of holy water and chrism, plus some wafe, were in a bag belted across his body, sohe wasprepared for all eventualities. When he thought nobody would see, he slurped surreptitiously from a large leathern flask. Last came the huntsman and the whipper-in, who would run behind, or in front, depending on the fleetness of the hounds and the closeness of their quarry.
As the little group lined up to leave, an awed silence came down, broken only by the panting and whining of the dogs. Athelstan leaned down to rumple young Athelstan’s curly head, while his wife wept openly. At the back of the throng, the miller’s daughter’s eyes devoured Godric, but he was too preoccupied to notice, muttering intensely to himself. Hildegard stood out easily to her husband – noble in blonde and blue, holding the hand of the infant Hugh. As she and he exchanged a gaze of understanding, he fastened her cambric around his armoured neck, and nodded. She raised her right hand in salute, and smiled as if in wistfulness, or farewell. “Ride hardily, husband!” she called, clear as a church bell.
He weakened – but all eyes were on him – on the Bardes. He turned at last, and said “Let’s go” – and the retinue moved out amid cries of “Good luck!” and “God be with you!” People streamed out through the gates behind, and cheered the plucky party out of sight. Whatever happened hereafter, Hugh knew, Karleton wouldn’t be the same.
The fields fell unnaturally silent and still. Almost like the deserts in Isiah, thought Hugh, habitations of dragons and courts for screech-owls. Tools and barrows and lunch-pails lay where panicking people had dropped them. Bundles of reeds awaited unbound, eels were escaping from a basket, and a tree leaned crazily half-sawn. A cart of stone for the priory at Greenfield stood driverless, its still-yoked oxen grazing unconcerned. A hare that on any other day could have ended up on the high table raced away when it saw them, and a squirrel chittered angrily from an ash. The hounds had stopped barking, but were surging powerfully on, towing their stumbling and swearing attendants.
Hugh cantered at the head of the little line, wondering what he had let himself in for. It had been easy to be brave in the courtyard. But this really might be the last time he rode this road. That really might be his last hare. Those, his last sheep – and that his last oak burgeoning into leaf. Would he see it in full festoon? Would he see his son as man? A murder of crows going over brought back the battle-birds of Acre.
He wondered what his companions were thinking. These might be the last men he would see, and he realised he knew almost nothing of their lives. Yet even those now so cursingly busy with the dogs doubtless also had terrors. As for Athelstan, his esquire of twenty years – even he was an enigma, riding as always behind, expressionless as usual, sure and steadfast as a shieldwall, and just as blankly incommunicative. But the priest seemed the least knowable of all. Hugh had often wondered what possessed a man to take the tonsure, and now it looked like he’d never know. He observed Godric – so puny and uncertain in his seat, so ashen and muttering, letting Godspeed lag – and felt pity with his contempt.
“Ride up with me, priest!” Godric grudgingly spurred alongside. Hugh spoke more jocosely than he felt. “What about a bit of praying, eh? In English, if you like! Better simple faith than Norman blood, eh?” He would have liked Latin, but Godric’s Latin was notorious.
“In English? Of course, sire! Err, let me see, dear Lord, deliver us from evil! Um, shield us from the beast. Err…deliver us from evil. Shield us from the beast that crawls in the dirt…”
Hugh listened impatiently for a while. “What about one of our own? Guthlac, maybe?”
“Good idea, sire! Good old Guthlac! Err, dear Blessed Guthlac, deliver us from evil. Shield us, o sainted one, from the beast that crawls in the dirt, err…”
Hugh shook his head regretfully, and spurred on – searching inside himself instead for words that might suit saints. But he was acutely aware of his inarticulacy, and conscious of certain past transgressions. Maybe any words would be inadequate. Norman blood might be needed after all. Deus vult, he sighed in conclusion, Deus vult – and might to the smiting hand!
The priest fell back. He took another draught from his flask, then another. Godspeed was soon overtaken even by the profane and puffing men on foot, who stared at the priest contemptuously as they were towed past. He fell yet further behind, and Godspeed stopped to tear at grass, as Godric’s flask swiftly emptied.
Not far now, Hugh knew. Not far enough! Ketsbi Lane (medieval records rarely seem to capitalise words like “lane” or “church” (see Calesbi below) and often join them with hyphens to proper nouns, but it’s up to you) unrolled into the valley, and up again the other side, to the crest beyond which he knew they would find…what they would find. Whatever would find them. He registered Calesbi church with its gleaming walls to the south, and Burwell’s little tower to the north – reassuring sights for a once familiar world now in perilous play, his world that might be coming to its end. A storm came even from the blueness behind, clouds piling over the nearby ocean, a sudden squall blowing them on, and setting the trees to frantic dancing. Not far now. Not far enough…
Sky white in front – too white to be right – and then that white was forming a flaw – a wavy uncertainty, shimmering like the air that radiated from the soil in the long month of Leo, cutting off men’s heads, and inverting all elements. A buzzard circling Ormesby Top seemed suddenly to stop, and just wink out. The breath of the basilisk, Hugh groaned, sickeningly realising he had brought nothing to shield his face. The very shape of the wold was snakelike – those tormented stones a supple spine, that boulder a bulging and baleful eye.
An enormous roaring was now around, and a clashing of claws on scales – metal on metal, like the swords they had beaten on shields at Aleppo as they eagerly awaited the infidel attack. Heats of Hel now too, and charge of lightning, and a rank stench emanating from everything – incendiarized exudations of a thousand charnel-houses and cess-pits, worse than the scourings of sickrooms or the foulest fewmets of the wickedest wolf. As Hugh bit back vomit, and fought a desperate urge to flee, vast and sweaty steams swirled down and cloaked the crest in cerements of dread.
Bayard was twitching and whickering, with staring eyes and shining flanks, terrified but still true – true like a steed of ancient times, this wonderful warhorse of the Norman world, the finest mount between England and Jerusalem. Hugh stroked him to soothe, stroked Hildegard’s cloth, and wondered how the world would be for their boy.
Athelstan was now alongside, for the first time ever unsure, eyes huge as Hugh’s, and as affrighted. “Sire, you see…?” But he recalled his duty, and place, and was handing Hugh his lance as the breathlessly boiling and mire-bespattered hound-handlers caught up, their frothing and straining charges only just held in check.
“The dogs, sire?” panted the almost expiring huntsman, as the maddened hounds reared up to claw the air.
“Unleash them!” Hugh somehow said, swallowing down his soul.
The slipped alaunts bounded away berserkers, frothing to be first to find, and rend, leaving their handlers rolling helpless on the ground.
Startlingly in that same second, the priest miraculously materialized, a pale rider on wings of storm, unnaturally upright and even in that moment faintly risible – shouting indistinguishable oaths as he incredibly overtook them all, holding on with one hand while waving the Cross, chasing the hounds towards the crest behind which lay certain death. With the hounds Godspeed melted into the monster’s mists, and vanished from view.
“He’s drunk!” shouted Athelstan, amazed.
“He’s full of spirit all right!” Hugh joked grimly – his last joke – and gritting his teeth and gripping the lance with his gauntlet, with a tremendous shout he spurred Bayard up the slope.
DEREK TURNER is the editor of The Brazen Head, as well as a novelist (A Modern Journey, Displacement, and Sea Changes) and reviewer. His first non-fiction book, Edge of England: Landfall in Lincolnshire, was published June 2022. Some of his writing may be found at www.derek-turner.com He is also on Twitter – @derekturner1964
I’ve always been impressed by the ones who leave a note. Not just any note, mind you. I mean something along the lines of “You’ll find the key to my safe in the sock drawer,” or “Don’t forget to water my prize rose bush,” or even “Give an extra hundred to the cleaning gal for the mess.” No accusations, no justifications, no pontification—none of that. Just something simple, pragmatic, to the point. Elegant, you might even call it. Or perhaps you find that word queer in this context, even distasteful. Fair enough. There’s no point arguing matters of taste. But as for myself, I’ve always admired the ones who can write something so matter-of-fact a few moments before their brains are dripping from the ceiling.
I had the good fortune of knowing several such men during my time in the armed forces. Quite intimately, in fact. You see, I was their superior, and it was on my orders that they carried out the acts that inspired them to pen those pithy little sign-offs. They died by bullet, buckshot, belt—and in one case band saw, if you can believe it. Though in that instance the gentleman’s civilian occupation was carpentry, so I suppose it made good sense. One returns in the end to what one knows best, after all. And though the methods were varied, the cause of death was singular, even if it eluded the coroner: to a man, they all died of a bad conscience.
It’s the source of that bad conscience that you’ve come to hear about tonight, I gather. Unless you’ve come for the free meal, sponsored by your editors. Please extend my gratitude to them for that courtesy, by the way. I was half expecting to have to pay my own way, miserly as they are in the journalism industry nowadays. In any case, I guess we’ll see by the end of the evening whether my story earns the meal. The head chef is trained in the finest pre-Collapse French tradition, so I wager I have my work cut out for me.
Speaking of which, I took the liberty of ordering us a few hors-d’œuvres just before you arrived.
My pleasure. Apéritifs are on the way as well. Dry vermouth, a 2059 vintage, I think.
That’s right, from just before the bombs fell. Supposedly there’s still a trace amount of cesium-137 in the bottles. But you needn’t fret: all the especially nasty radioisotopes decayed away ages ago. The only danger now is a hangover. Do take care, though—vermouth sneaks up on you, in my experience. Anyhow, I hope you don’t mind drinking on assignment. Alcohol is included in the reimbursement, surely?
Splendid. I suspect you’ll need it. It’s liable to be a long night.
I understand that you have your work cut out for you as well: winning over today’s jaded readership takes something altogether more charged than death by perforation, laceration, or asphyxiation. Don’t worry, I intend to make your job as easy as possible in that respect. And since I don’t expect muckraking to prove overly difficult here, I hope you won’t take exception if I ask something else of you, something a bit more… pressing. You might even call it a matter of life and death. But I’m getting well ahead of myself.
Before you agree to anything, I imagine you’ll want some reassurance that I am who I claim to be: the man who’s dodged interviews for three decades now, yet on the thirtieth anniversary of the armistice finds himself knocking on a journalist’s door instead of slamming his own in her face. To remove any doubt, I’ve curated my prepared remarks to open with some as-yet-unpublished details about the anecdote that earned me my fifteen minutes of fame—or infamy, as the case may be. It’s all the same to me. No publicity is bad publicity, as they.
So let’s start things off with a bang and get on with the fireworks, shall we?
Brilliant!
It was March 2143, two years into the war with the North, and I was a major stationed in the Garrisoned Zones. That’s what leadership had taken to calling the bombed-out husk of a former megacity located fifty kilometers north of our border. It had been nuked to rubble during the Firestorm of 2060 and left uninhabitable for the better part of a century—at least, for anyone who wasn’t keen on getting a sunburn in the dark or losing their teeth at age twenty-five. That is to say, anyone who didn’t wish to end up like the Zonees: the remnant population of some hundred thousand urbanites, plagued by sundry mutations and malformations resulting from congenital radiation poisoning.
My battalion was barracked alongside a community of three hundred such holdovers, on account of a very particular task we’d been assigned. Their enclave lay in the ruins of a rail yard, with dilapidated boxcars serving as single family condominiums. It was rather quaint, as scrap heaps go. They practiced subsistence agriculture using pre-industrial techniques, supplemented by the few functional Old-World relics remaining to them.
The first sabbath after we arrived was a local high holiday marking the vernal equinox. It was considered an auspicious day for nuptials, and several couples were to be wed at a church service. Consequently, the entire community had turned out in their Sunday finest: the broodmares with all their little sucklings in tow, widows and widowers in their stooped dignity, preening debutantes, teenagers exchanging furtive glances with their paramours, men chattering about work or the weather or God knows what. From our position on a nearby hillock, I studied them closely, as I often did, with an anthropologist’s eye. Overall, it was a veritable cross-section of humanity, just like one would encounter in the civilized world.
I waved to several of the parishioners as they filed past, and I encouraged my subordinates to do the same. At one point, a village girl, perhaps five or six, left her mother’s side and came bounding up the slope toward us. The woman didn’t appear to notice until her daughter had almost completed the foray. She called after her, but by then the girl was already reaching up to caress the neck of my black stallion.
I fished around in my saddlebag and retrieved a foil-wrapped chocolate and hazelnut bonbon, the kind I had regularly shipped to me from the finest confectionery in the capital. She reached up and grasped it with her chubby fingers—all six of them. I gently spun her around and nudged her back in the direction of her parent. After they were reunited, the woman raised a hand in appreciation, and a smile spread across her face. The two disappeared into their house of worship, hand in hand.
The church was a curious edifice, a collection of what looked to be Old-World portable privies. They had been welded together with some of their walls removed, so that they formed a single large chamber with windows sizeable enough for us to observe the proceedings from our elevated vantage point. The toilets themselves had been left in place as seats for the congregants, with the tanks serving as elbow rests for the person to the rear when kneeling in prayer. Conveniently, the bowls were still connected to plumbing so that they could double as replenishable holy water receptacles.
The structure was made almost entirely of plastic, which was no arbitrary design choice. In fact, its composition was integral to the Zonee faith, a kind of cargo cult that elevated Old-World materials and artifacts to the status of sacred relics from a mythical age. According to their eschatology, the accumulation and consecration of a threshold amount of such antiques would bring about a “return of the gods” and a restoration of twenty-first-century glory. There was just one small problem with that belief, from our perspective: we too had aims on pre-Collapse synthetics, though for a much more worldly reason.
You’ll forgive the history lesson, but I’ve found I can’t take anything for granted with your generation, what with the state of schooling nowadays. Why, just look at our company in this very establishment, full as it is of half-naked and semi-literate libertines! Besides, I gather from the microphone you’ve affixed to my lapel and the tape machine in your purse that I’m not only addressing you. Who knows how long your little recording might survive and garner interest. So there’s posterity for me to consider as well. Therefore, I’ll save my unborn audience a trip to the library and tell the whole story, beginning to end, in its full historical context.
Now, where was I? That’s right, the sacred cesspit. In my view, a church is still a church—whether affiliated with the Bible movement or the bowel movement—and I was determined to see that particular service through to its climax. By the time the procession of bathroom-goers tapered off, the building was filled to overflowing, a real squatting-room-only affair.
The ceremony began somberly, as was their custom. The priest intoned a sonorous dirge, which I took to be some kind of lament over their travails as a people, or else over the sorry state of the world in general. From there the pitch increased in turns as more voices joined in—first the men, then the women, finally the children. The mood brightened and the pace quickened, building at last to a crescendo of fervent ululation as their sacred totem—a rusted old can of air freshener, I think—was revealed to the congregation.
I couldn’t help but wonder about that. Perhaps they misunderstood “air freshener” as applying not only to the scatalogical, but the radiological as well. Perhaps they considered the relic some sort of mana from heaven that had the powers of a cure-all and was thus deserving of their adoration. Or maybe I’m reading too much into it, and the can was simply the shiniest thing they had on hand. Whatever the case, it was long since empty and no good to them for purifying the air—so I figured I’d do my part and light a match instead.
Consequently, it was in that instant—just as the priest raised the deodorizer overhead in triumph—that I gave the signal. I’m not a person devoid of a healthy sense for the theatrical, you understand. Neither am I without feeling, and it seemed to me right and proper to allow them that moment, if nothing else.
The lead sapper glanced up at me, flipping his switch after only the briefest hesitation—and the entire assembly ascended to the heavens in a great fireball of religious ecstasy. The explosion took our breath away and rocked the enclave to its foundation, breaking windowpanes half a kilometer away. Debris from the sundered structure littered the vicinity, and the central pile of rubble began coughing up thick plumes of acrid black smoke.
It was only after we recovered our wits and surveyed the results that we realized the townsfolk had left behind a few bodily mementos before departing on their journey skyward. You’ll have trouble believing this, I’m sure, but the head of the priest had landed directly in a toilet bowl, where it was spinning in circles as the broken mechanism flushed uncontrollably. His mouth, still agape in its final “Hallelujah,” was issuing forth a jet of toilet water three feet into the air, like a fountain cherub. That’s the God’s honest truth. From his lips to God’s ears, as they say.
You see, it had occurred to me the night before that the engineers attached to our command happened to be in possession of several crates of dynamite, on hand for the purpose of blowing bridges or clearing obstacles. I instructed them to take the whole lot of it—two hundred kilos in all—and plant it in the church under cover of darkness, in the toilet tanks and otherwise out of sight. A curfew was in place at the time, so we could proceed with confidence that our work would go unnoticed. I could go on, but I’m sure you’ve already seen the photos. They made something of a splash when they were published after the war. Shreds of flesh dangling from tree branches like red lingerie drying on a clothesline, as I recall.
My bluntness appears to have rankled you. I do apologize, but I’ve never been one to mince words—bodies, yes, but not words. And you must understand that I didn’t know who my dining partner would be tonight, so I prepared my remarks with a general audience in mind. That audience includes those of a gruffer breed than you—you, a twenty… five-year-old female journalist? Educated, at least by today’s standards; cultured enough to know her ristretto from her macchiato; unattached, save for maybe a cat or two; someone who’s waded through her share of muck and sludge, but still holds out hope for that elusive kernel of human goodness—perhaps even secretly yearning to land the scoop on some great “Kumbaya moment” that redeems us of everything. Right on all counts, no?
Very good. I’ve always been a real people person, a true empath, as you’ll glean soon enough. Consequently, matters of character rarely escape me. Don’t mistake me, though: none of my observations were meant as insults. I’m well acquainted with your work, and I admire you as an impartial newswoman of the old school, in spite of your youth.
Why, the mere fact that you didn’t put a microphone on your own lapel tells me just the kind of reporter you are: the kind who’s not infatuated with the sound of her own voice. In fact, if it weren’t for your reputation as someone who does her damnedest to keep herself out of the story, who forbids her own scruples and foibles from clouding her work, I wouldn’t be planning on asking for that personal favor I mentioned—a favor that involves me placing complete faith in your professional judgment.
What’s more, I’m sure you understand that anecdotes of that sort are precisely why your editors sought me out for the past thirty years, and why they leapt at my invitation tonight. Your rag was the first to print the dynamiting photos—the photos that scandalized a nation—so it makes perfect sense that they’d go out of their way to land the first interview with its orchestrator.
And aside from your bosses, I have other listeners of this recording to consider as well—listeners a hundred years hence, who may not be quite as dainty and starry-eyed as you. Indeed, if history is any guide, they may well be even more blood-thirsty and jaded than today’s lot. Perhaps even as jaded as the twenty-first-century set, before they melted each other’s faces off with atom bombs. So I hope you won’t hold it against me that in opening my story, I chose to heed an age-old newsroom adage: “If it bleeds, it leads.”
I trust you’ll now allow me to explain my foray into high explosives, since some context is necessary to fully appreciate things of that… nature. Without it, I can sense that misleading first impressions are a real danger. In fact, based on how feverishly you’re scribbling in your jotter, I’d wager you’re jumping to conclusions already. And it’s easy enough to guess from your facial expression exactly what sort of conclusions they are. I’m not blind, after all. To save you from having to scratch out anything later on, I should clarify this act of mine, an altogether monstrous one, I suppose—to the untrained eye, at least. So let’s train our eyes before proceeding further.
To accomplish that, I’d like to backtrack a little, to April of ’42. I was a freshly minted captain then, bound by rail for my initial field posting in Z-4, a northeastern Garrisoned Zone. On account of my background in jurisprudence, I’d been assigned to the Security Echelon, a paramilitary police agency tasked with safeguarding our assets in the city.
As our steam locomotive wound alongside an urban waterway toward the central rail station, fog lay low and still over the riverbanks, undisturbed by flap of wing or stroke of oar. The water fowl had long since left those parts, or else fallen motionless from the sky. The fishermen and their boats followed close behind. The birds that remained were sickly things: flightless, often blind, they toddled in circles and pecked fruitlessly at the lifeless ground. The people, it was said, were little better. At least, according to the orientation literature I’d been reading as the train rumbled along, cutting through the fog and sending the birds perched along the tracks skittering away.
Eventually, the wheels began to squeak as we decelerated into the station. A sergeant leapt aboard and barged into the enlisted men’s boxcar before the train had fully ground to a halt. “All right, you lot!” I heard him exclaim from my private quarters, one car over. “Welcome to the Exclusion Zones.”
I poked my head out of my cabin to observe the spectacle through the window of the door separating our cars. The sergeant’s underling, a corporal, whispered something into his ear.
“Garrisoned Zones, I mean!” the NCO corrected himself. “As of two weeks ago, at least. Don’t let that ‘exclusion’ bit scare you. I can guarantee you won’t get more than a healthy dose of rads here—just enough to put some hair on your virginal chests. So long as you stay within the yellow lines, of course.”
The corporal whispered to him again.
“Oh, you’re the ones who’ll be painting those yellow lines. Well, then… I can guarantee that if you do get more than a healthy dose, you won’t feel a thing—until your insides are a chunky pudding dribbling out your anus. And by then, you won’t have anything more to worry about anyway.”
I cracked a smile and listened to another couple minutes of the sergeant’s theatrics. That sort of cheeky hazing—carefully orchestrated, to be sure—was exactly the reason I preferred the enlisted initiation to the officers’ briefing. But just then I caught sight of a lieutenant beckoning me insistently from across the station’s platform. I gathered my belongings and strode out to meet him. After we exchanged curt pleasantries, he ushered me into a nearby command hut, where said briefing had just begun. I claimed an unoccupied seat at the back of the room.
A gaunt major with an exceedingly erect posture was addressing the dozen fresh officers in attendance. “Gentlemen,” he said, “there’s one thing you simply must understand about the Garrisoned Zones. This isn’t a city—not to us. It’s an oil well. Every plastic-shingled shanty-town, every bottle-laden garbage dump, every prosthetic-legged old woman—they’re all latent fuel, waiting to be tapped. Coal is history, fossil fuels are a memory, so plastic is the name of our game here. Petroleum pyrolysis, the boffins call it: going from plastic to oil to gasoline. But you don’t have to worry about that part. That’s what the civilian contractors are for.”
He picked up a misshapen human skull perched conspicuously on his desk. I couldn’t tell whether it was a fossil or from a more recent kill. “What you do have to worry about,” he said, “are the locals, like this one. Thirteen hundred cc cranial capacity, about a hundred less than ours. They make up for it with a few extra teeth, though: many of them have thirty-four instead of thirty-two, as you can see here. That combination means they’re prone to bite first and ask questions later. We’ve only been here a month, and they’re already at our throats every time we so much as rustle a prehistoric tampon lying in a garbage heap.”
The line elicited a few chuckles from the assembled.
“Two weeks ago, things got out of hand and they killed a worker in Z-3. Ripped him limb from limb, I’m told. The contractors refused to continue unless they were assigned a dedicated force of gendarmes, so here we are.”
He went on for some time, but my thoughts were elsewhere. His address was mostly a rehashing of the orientation pamphlet anyway, and I was eager to see with my own eyes what I’d only ever experienced through bedtime stories or schoolroom lessons. As soon as we’d been dismissed, I headed for the garrison stables, a short walk from the hut. Although the frontline infantry were mostly mechanized, scarcity of fuel meant that horses were still a mainstay of transportation for rear echelon troops like us. I tacked up and mounted a black stallion that seemed docile enough.
I rode along the camp’s network of trails until my destination came into sight in the distance—the local plastic extraction hub. It was a massive earthwork, the grandest I’d ever seen in person: an open pit mine that looked about as large as the crater from the rock that ended the dinosaurs. It was situated directly atop a buried Old-World garbage dump, a relic from the days when polypropylene and PVC were waste products rather than worth their weight in gold. I took in the length and breadth of the operation, observing laborers shipped in from back home, police reservists standing guard, and the occasional officer milling about.
“Quite the thing, isn’t it?” a voice to my right said, startling me out of my awestruck reverie. An NCO on horseback had sidled up alongside me. He introduced himself as Sergeant Meyer.
“You’re an officer, so your parents were probably well-off, right?” he asked.
I nodded, a bit surprised by his forwardness. In fact, my family were only upper middle class. My father was a lawyer, like me. But I wasn’t inclined to go into details with someone I’d only just met.
“I bet yours was one of those clans that could afford pre-Collapse plastic for their fine China. Do you still remember drinking from straws?”
I nodded again. “My mother did keep a few in the pantry for special occasions, as a matter of fact.”
“God, I remember straws too. But only from before the re-industrialization, when plastic became a commodity. I swear milk tasted better sucked through them. The dissolved micro plastics added a little sweetness, I think. You recall the plastic drives of the ’30s, don’t you? When every family had to turn in their synthetics in exchange for government bonds? How old were you?”
“Sixteen,” I said.
“Heavens, only sixteen. I had already fought in my first war by then. That one was all about rubble, and this one’s about garbage. Go figure.”
“Indeed,” I said.
“Well, here’s to the poor bastards who died for bricks in the last war—and to the ones who’ll end up dying for disposable utensils in this one.” He removed a pocket flask from his jacket and took a swig, offering it to me afterward. I obliged him. Bad luck otherwise, I figured.
Regardless, it wasn’t too long until someone in our battalion earned the toast. Six weeks later, one of the the sentries on night watch at the mine was ambushed and shot through the throat. His corpse was subsequently defiled—emasculated, to be precise. His testicles were found stuffed into his mouth, giving him the appearance of a chipmunk hoarding acorns for winter. We never did find his penis, which led us to surmise it was kept as a trophy. To top things off, a placard had been hung around the man’s neck with a piece of twine, on which a single word was scrawled in his blood: “Plunderer.”
The news quickly filtered up the chain of command. As it turned out, the assassination was just what High Command had been waiting for. The week before, Zonees in Z-2 had orchestrated the sabotage of a major synthetics hub. It was a real bloody nose for the SE and a serious embarrassment for leadership. There followed some half-hearted attempts at negotiation with village elders, but High Command concluded that religious fanaticism around Old-World esoterica left little room for compromise. The only fitting solution, they determined, was an equally fanatical policy on our part. Since the farming settlements were thought to form the agricultural bedrock sustaining the budding uprising, they were seen as ideal targets of reprisal for any attacks.
In this way, the belligerents—“bandits,” as the higher-ups disparaged them—would be “torn out root and stem” before their harassment could bloom into an insurgency proper. Though it wasn’t shared with us at the time, the tactic was also in alignment with High Command’s intention to bring about a diminution of the Zonee population by two-thirds over the course of the occupation, with an eye toward freeing up living space for post-war resettlement by our own citizens. The remaining third would be kept alive to serve as forced laborers.
All that was lacking was a catalyst to incite the troops—a catalyst that the guard’s killing and desecration provided. The very next day, for reasons ostensibly personal but ultimately well above our pay grade, it was ordered that “any village found nourishing even a single bandit be eradicated down to the third generation, razed to the ground, and defoliant spread across its agricultural tracts, such that anyone escaping the firing line is taken by hunger.”
Oh, and there were a few flowery addendums about “liberating the material heritage of mankind from those who blindly trample it underfoot” and “letting rubble and bone serve as a testament to our strength of will, and to the terrible but righteous judgment handed down upon the bandits and their kin, and their kin’s kin.” You get the picture.
That was the exact text of the order as it came across the wire and subsequently seared itself into my brain, where it remains lodged to this day. It was titled the “Hardening Decree,” laden as it was with High Command’s usual penchant for machismo and sexual innuendo, or more fully, “a decree promulgated for the purpose of hardening our resolve against organized crime and banditry.”
With the swipe of a pen, hundreds of policemen, jurists, and scholars—entirely ordinary people, all things considered—were given carte blanche to kill. Some did so reluctantly, others with great zest and enthusiasm. But all of us, with very few exceptions, dutifully took up the occupation of murderer for the better part of the next four years. Or as long as we lasted.
The sentry’s assassins likely didn’t hail from the nearby village, a community of two-hundred-odd residents cultivating crops in the middle of a dilapidated football stadium. Most of the bandits were nomadic: they relocated their tent camps every few days to avoid being found out by our long-range patrols. In fact, they could have originated from almost anywhere in the city, realistically. But it didn’t matter. The settlement was proximate to where the outrage had taken place, so its inhabitants would have to shoulder the burden—and how!
I won’t go into all the finer points of a reprisal action here. There’ll be plenty of time for that later on. Besides, that first one was so badly bungled that it was hardly representative of those to come. It was a real ham-fisted, amateur operation, as could be expected of men who had, for the most part, never before fired a single round at a live target of any kind, let alone a six-year-old.
Some of the shooters broke down in tears; others fainted. Still others really lost the plot and collapsed into trembling heaps. Several pissed themselves. One even shat his pants, as I recall. Rounds fired from rifles held in tremulous hands missed the mark or struck outside center mass, necessitating follow-up shots, sometimes two or three.
Children were shot before their mothers, wives before their husbands, leaving the strongest among them with nothing to lose. Many of the initial survivors chose to fight to the death with fingernails and teeth rather than be put down quietly. One lieutenant had a chunk bitten out of his face by a mother who had just seen her preteen daughter shot six times before finally receiving a well-placed round. When all was said and done, fully a quarter of them escaped. Our men had by that point had enough, and they were in no mood for a foot pursuit. We opted to let the survivors go.
My own reaction to popping my cherry was somewhat more muted. I was the “thousand-yard stare” type, as I learned that day. I’d always been more inclined to introspection than exhibitionism, so it made good sense. In later actions, officers were rarely assigned to the shooting detail. But for that first one, it was decided that everyone would participate directly, regardless of rank, so as to share in the onus and culpability. I wasn’t opposed to the arrangement on principle—fair is fair—but in practice it did end up posing something of a problem for me.
Sergeant Meyer was overseeing us younger officers on the firing line, and I can hear his words like they were spoken only yesterday. “All right, you’re up.” After I drew my sidearm, he was kind enough to rack the slide for me. I was a bundle of nerves by then and couldn’t manage to work the pistol’s action myself, especially after I had seen my target: a waiflike girl in a pretty floral dress who looked all of sixteen. She had pulled the garment’s hemline up to her thighs before kneeling on the ground, presumably to avoid dirtying it. It was the damnedest thing, looking back on it now. But somehow it made perfect sense to me in the moment, out of my wits as I was.
Anyway, to make a long story short I blew her brains out.
Quite literally, too. You see, my pistol had been unwittingly loaded with hollow-point rounds. The sergeant apologized and promised I’d be issued full metal jacket from then on. “With these expanding bullets,” he explained, “it’s ‘in like a pebble and out like a boulder.’ Makes a real mess of things. Entirely avoidable with FMJ, mercifully.”
I thanked him, returned to my private quarters, and threw up my lunch into my helmet.
Chapter 2
I see that you’ve beaten me to the bottom of the glass, and you rather look like you could use another. I hope it wasn’t something I said.
Garçon, another round for me and my honored guest, if you please!
I’m sorry if my choice of table talk strikes you as untoward, or my delivery comes across as uncouth. We soldiers sometimes forget that civilians don’t share our acquired taste for mess hall banter. With any luck, the next drink will be a boon to my eloquence—or, failing that, at least infuse you with some liquid courage. Besides, there’s a point I’m driving at with the little romp I just related, something more instructive than pure sensationalism.
Like I said, I’m aiming to establish my motivation for the affair with the dynamite, as you’ll grasp shortly. And aside from that, what I suppose I’m trying to communicate, however inelegantly, is that the confidence and authority I project when discussing this dirty business now was hard-won. It was earned only after many months of “putting lead on target,” so to speak. Becoming a businessman of my sort—someone whose business is death at a time when business is good—constitutes the profoundest rupture in any psychologically normal man’s life, a break with everything believed and hallowed up to that point. My bad conscience had to be ejected, violently and repeatedly, until my stomach was empty and spasming, and vomit gave way to blood-laced spittle from my excoriated trachea.
Our second action went a bit better than the first logistically, but the rawness, the shock, were still very much at play. Nausea too, naturally. That time there were only a hundred Zonees, but far fewer of us as well: a single squad of ten men and a lieutenant under my command. The bulk of our unit was engaged in a skirmish with bandits over possession of a plastic-rich garbage dump several miles to the south. Apparently, it was something of a Zonee Mecca to which pilgrims came from far and wide to pay homage, and they weren’t prepared to surrender it without a fight.
Back home, surface deposits like that had been thoroughly tapped during the ’30s. By the end of the decade, the easy pickings were exhausted and we’d resorted to digging for microplastics a quarter mile underground. But plastic lying undisturbed in the open was still a common sight in the Zones, where subsistence farming created little demand for petrol, and local superstitions actively encouraged its preservation. By 2140, fuel-hungry powers on both sides of the city were drawing up plans. Hence the war with the North—and the occupation, after we mobilized to seize the Zones first.
The village nearest the pilgrimage site had been singled out for extermination, in keeping with the new policy. It was another agrarian enclave, as stipulated, but rather than soil farming, the residents had created a hydroponic system in the ruins of a five-story high-rise. The entire surface area of the building, top to bottom, was covered in edible plants of myriad types and strains. All quite healthy, from what I could tell. It struck me as an ingenious method that cleverly avoided soil and groundwater pollution—which was especially high in that area, according to our dosimeters.
I announced our presence via loudspeaker and demanded that the inhabitants present themselves outside. “Census-taking” was the excuse I gave, which wasn’t entirely false: I merely neglected to mention that our count would be of their dead bodies.
After a good number of occupants had exited and their egress slowed to a trickle, a five-man entry team conducted a full sweep of the tenement that netted a few stragglers. I surveyed the resulting crowd of Zonees with growing consternation: I didn’t know how we were going to dig a hole big enough for a hundred people with the ten enlisted men we had on hand—especially since those hundred people would have just as soon not gone into the hole, all things being equal. That meant there’d only be five of us digging, as anything less than five on watch was asking for trouble.
Sergeant Meyer was with us, and I asked him how long he thought it would take. He was a veteran of the last war, twenty years prior, and things had supposedly gotten nasty during that one too. Though from what I’d heard, the summary executions back then were of enemy combatants, not civilians.
Meyer pressed his boot into the poppy field directly adjacent the building to gauge its pliability. “In this soil, it should take about an hour.”
“How’s that?” I balked. “Fifty people couldn’t dig a hole big enough in an hour, and we’re only twelve.”
“There’ll be a hundred digging.”
“You mean them?” I pointed to the pajama- and knicker-clad contingent of tenement rats dawdling in the field, ringed by my subordinates.
The sergeant nodded.
“Does that really work, in your experience?”
“Better than asking them to stand around, actually,” Meyer said.
“Unbelievable.” I removed my cap and ran my fingers through my hair.
“Believe this.” Meyer raised his submachine gun and fired a five-round burst into the air. “Attention! Every Zonee, grab a shovel from the back of the truck until they’re gone. Then line up two by two and start digging. Women and children, dig with your hands. We’ll tell you when to stop.”
The haggard lot did as instructed without a word of protest, trotting up to the idling armored personnel carrier and retrieving the wooden shovels. I watched in amazement as they dutifully took up their task, breaking ground in the soft earth. Fifteen minutes passed and the hole grew deeper, until their shins were no longer visible. Finally, I could take no more: I had to know. I approached a group of five women kneeling in the dirt, their hands blackened and bloody.
“Excuse me, ladies,” I interjected. “Pardon the interruption, but do you happen to know that you’re digging your own graves?”
They nodded.
“May I ask why? Why are you doing that?”
“Because he told us to,” a young woman said, gesturing to Sergeant Meyer. She was quite pretty, in a rustic sort of way—but her under-eyes were puffy, as if sodden with a deep and rising well of tears.
“Why not refuse?” I asked.
“Then you’d dig it yourselves, and we’d have to wait longer.” Her manner was calm, her speech measured, but I perceived a slight tremble in her lower lip, and her voice quavered on the last word.
“Wouldn’t you rather live a little longer anyway?” I pressed, in spite of my own growing discomfort. “Are you in such a hurry to die?”
With that, the dam burst, and her tear ducts loosed a torrent. She let out a long, piercing wail that dropped my stomach like a lead anchor and drew the rapt attention of everyone within earshot, briefly wrenching them out of their own personal hells.
An old woman wearing a polka-dot headscarf intervened, gently stifling the girl’s sobs. “We’re already dead,” the elder declared flatly, locking eyes with me. “All that remains for us now is crossing the Styx. We may as well help the ferryman by rowing the oars ourselves.”
I considered her words carefully. “Very well,” I said, my voice hoarse. “I won’t prolong your journey a second more, then.”
I handed her my canteen—from which she took a healthy swig—then parted from her with a little bow of gratitude. An hour later, she was four feet below my boots. I lit a cigarette. Meyer joined me and did likewise.
“Hell of a thing, isn’t it?” he remarked.
“Hell of a thing,” I concurred.
We stood there in silence for a few minutes. In the distance, from the direction of the Northern Front, I could hear the muffled patter of machine guns and the low rumble of artillery fire. Air bursts, I think. The horizon was bright with tracers and the orange glow of a burning skyline. I found it strangely comforting, a reminder that somewhere out there soldiers were still soldiering—instead of whatever the hell it was we were doing.
“What did you talk to the old lady about, by the way?” Meyer finally asked.
“Nothing important. I asked her why they agreed to do it. Dig the grave, I mean.”
“Oh. What did she say? Anything enlightening?”
“In a way,” I said, gazing into the distance.
Meyer waited a moment for further elaboration, but I wasn’t prepared to offer any. “Well, here’s to her, then,” he said, flicking his cigarette butt down and grinding it into the freshly turned soil with his heel.
After the men had finished stowing the shovels and other gear, the twelve of us climbed into our open-topped APC. One corporal manned a forward-mounted machine gun and another drove. I was in the front passenger seat. The others sat in back, singing.
“What’s dug by a hundred and covered by ten?” their ditty went. “What swallows the young and the wives with their men? What gobbles a village but leaves every hen? What’s sure by next week to get hungry again?”
I suddenly realized I’d lost track of my own hunger. I’d been too anxious to eat anything before the operation, and now twelve hours had passed since my last meal. I felt rumbling as blood returned to my stomach from my limbs, where it had evidently migrated during the shooting. I knew it would be at least another half hour before I could eat: it was only several miles back to camp, but the roads were treacherous. What had been smooth asphalt a hundred years prior was now a pockmarked, undulating mess, melted and warped in some places and fragmented in others. The APC crawled along at ten miles per hour, zig-zagging as it went.
I rummaged through my pack and retrieved a small pouch of rodent jerky, a squirrel and vole mix. Despite my hunger, I stared down at the jerky with revulsion. The strips of flesh appeared remarkably similar to the flaps of scalp I had just seen dangling from the old woman’s skull, after a rifle round blew her head apart from ten paces away. And seeing those yellow polka dots smiling up at me from the pulsating leftovers of her gourd certainly didn’t help matters, either. I’m told yellow on red never goes out of fashion, but in that case I’d beg to differ.
I hadn’t participated in any of the shooting myself. After the first reprisal, that was the purview of the enlisted men alone. Still, I had a front-row seat, which seemed to be enough to set my stomach churning.
The driver noticed my distress. “Won’t be much longer, sir,” the young man said. “Then we’ll be able to have potatoes or beans or… anything other than meat, really.”
I looked over at him with a twinge of embarrassment.
“Don’t worry,” he said. “The rest of us were just as close to losing our breakfasts as you. The lads back there are putting on a good show of things, but it’s just that—a show. Can I be honest with you, sir?”
I nodded.
“I don’t know how we’re going to keep this up for much longer.”
Yet somehow, we did exactly that. Nausea aside, our technical proficiency with the procedure increased rapidly. Within six months we were already old hands, and I’d been promoted to major. Being proficient at something is different from being accustomed to it, though, and I’m afraid one never grows entirely accustomed to such things.
Those of us who know what it means to see a hundred corpses lying together—or to see five hundred, or a thousand lying there—know well the invariable unease in the stomach, the shakiness in the extremities, the weakness at the knees. And we know, what’s more, the genuine mental anguish of seeing in the vacant faces of the dead the faces of our own wives, children, and parents. Whatever may differentiate us from other men—I promise you, it isn’t much—we’re still men at bottom, with all the weaknesses inherent to that condition.
By spring of ’43, I’d witnessed the terrible toll the shootings had taken on the men. Outright shock had long since worn off, only to be replaced by a more subtle and insidious degradation, a drip torture of blood spatter from each of the many victims in a soldier’s ever-increasing personal tally.
And indeed, attrition was mounting. More than a handful of the lads had broken down into nervous fits, leaving them gibbering idiots. Others had become documented alcoholics or permanent depressives. Even the ones who escaped the worst of it were at risk of being taken off the line for weeks at a time to convalesce in a sanatorium. I myself was at my wit’s end. Something had to be done, you understand.
The last straw was the string of suicides in March. First a corporal, then a few privates, then a sergeant and a lieutenant all decided that they wouldn’t be returning from their furloughs after all. As the unit commander, I was responsible for investigating their deaths. That’s how I became so well acquainted with those little notes I mentioned earlier, the ones they left for their next of kin. And it’s what gave me such an affinity for those of the pragmatic variety, I think—the kind that betray no resentments, make no excuses, and most importantly, tell no tales.
To a man, the decedents had taken the secret of our actions in the rear combat areas to their graves. Their letters gave no indication of the deeds that weighed so heavy on them, eating away at their brains like tapeworms until there was nothing left but a writhing mass of regret and shame. Call me juvenile, but I was always rather proud of that. Whatever my faults as a leader, I didn’t breed tattletales.
And while we’re back on the subject, I’d like to pause and ponder over those notes a while longer. That way you’ll discern that I’m a reasonably well-rounded and well-adjusted individual, capable of something more than brutishness and bloodlust. You see, I’m a philosophic sort, and leaving behind something so matter-of-fact has always struck me as stoicism of the first order, an act of real philosophical power. What I mean is, it’s a veritable philosopher’s stone of a suicide note, transmuting death into something as mundane as a trip to the post office. Surely there’s power in that.
There’s another reason, too. I can’t help but see genuine self-effacement in the decision that one’s final words on this Earth—one’s legacy and apotheosis—should be a reminder to pay the utility bill on time. It’s a little bow before the eternity of the species, an admission that the show must nonetheless go on. Instead of “After me, the deluge,” it’s “After me, the rubbish still has to be taken out to the curb.”
But perhaps I’m wrong to admire such notes. Maybe I’m incorrect in my assessment of them as laconic masterpieces, theses in ten words or fewer, a dissertation in a fortune cookie. Maybe instead of demonstrating deep philosophical insight, they result from some particular deficiency: the inability to properly envision death as the absence of not only bodily functions, but obligations and desires as well. If you recognize that you’ll no longer have to eat, shouldn’t you recognize by the same token that it won’t make much difference to you whether your kids eat, either?
What I’m saying is, it makes little sense to project one’s desires beyond the point in time when the physical substrates of those desires cease to exist—the point at which one’s hippocampus is passing through the digestive tract of a maggot. Why bother providing for a future that won’t ever arrive, insofar as you’re concerned? Isn’t that just as foolish as a business setting aside contingencies for an event in which it’s no longer a going concern? Nowadays we laugh at the Egyptians for leaving food in their tombs; maybe in a thousand years they’ll laugh at us for leaving wills.
Twenty-five centuries ago in Greece, when Alexander was asked to whom he bestowed his earthly empire, he arrived at the only truly sensible answer: “To the strongest.” So much for wills! Yet even amongst that nation of thinkers, there were those who lived with an eye toward posterity: the Spartans were willing to sacrifice much in life—life itself, in fact—for the prospect of a marked grave, for something that would outlive them. They were only too happy to die on the point of a spear in exchange for the chance to leave behind the most laconic of all possible notes: their name alone.
You might find this little more sensible than leaving behind food for a corpse. What good is an inscription if you’re not around to see it? Yet what lacks in logic for the individual often makes perfect sense for the collective. Our legacies—military, artistic, or otherwise—don’t serve us, ultimately, but rather those who come after us. “Oh you passerby, go and tell the Lacedaemonians that here, loyal to Spartan law, we lie.” Those men built a legacy for themselves and their people on the backs of twenty thousand Persian corpses, along with their own.
And so too with my men, the clear-eyed killers who threw themselves into a moral abyss, sometimes never to return, leaving behind only a sentence or two as a testament to their strength of character. They found it within their hearts to bear an unbearable duty for as long as they were able, and then, when the time came, to end their watch with tact. I’m likely dating myself, but in my view obedience of that rarefied sort is a virtue—so long as it’s not given blindly to human authority, but in submission to the dictates of necessity. It then becomes resolve, humility, love of fate. For circumstance fated us with the duty, the moral obligation, to seize the resources necessary to rekindle the five-thousand-year-old flame of human ingenuity… even if that flame burned a hundred villages to ash. And “not even the gods fight against necessity.” What business, then, had we to?
It remains to be seen if history will give due respect for shouldering that burden in spite of all human weakness, in spite of all revulsion and shock and horror. Regardless, one thing is certain: in a hundred years, people will read our history not on scraps of paper, like my men left behind, but on digital wonders made possible by the very plastics we hauled out of the Earth at the barrel of a gun. But there I go getting wistful and sentimental. I try my very best to avoid that. These days, such moods invariably lead me to the bottle.
And what’s that, you say? Reading too much into it? Maybe you’re right. Maybe things are simpler than all that. Sometimes a note is just a note. Perhaps I’m giving too much credit to my fellow man. I’ve certainly been guilty of that before. Still, I’m something of an optimist, and I prefer to think the best of people, to look on the bright side—even of a suicide. I’m sure you can see that by now. Aside from the occasional opioid high, it’s the only way I’ve found to get by, to keep myself from writing a note of my own, jumping inside a meat grinder, and dissolving into a happy little puddle of blood and shit. And you can be sure that if I did, I’d leave a few coins to the restaurateurs for borrowing their equipment. I’m not a boor, after all.
Incidentally, you really must try some of this steak tartare! The chef’s preparation is a true delight.
Suit yourself.
But let’s return here to ’42. There were other concerns at the time than the suicides of the shooters, certainly—namely, the agony of the victims. The long minutes awaiting their turn on the firing line, seeing their kin shot to ribbons in front of them, all the while trying to soothe their toddlers with some bogus story or other about why Nana’s head just exploded. And after the shooting was done and the death pits covered with soil, mercy still proved elusive. We often observed a distinct heaving of the earth, which couldn’t be fully explained by post-mortem off-gassing. This led us to suspect that some of the villagers had been buried alive… All in all, a real sordid affair, as you can imagine.
Simply put, we couldn’t go on like this. It was impossible. Discipline was beginning to break down: the men were often drunk on duty, many had stopped saluting. I was risking a real crack-up if something wasn’t done. Truth be told, I too had grown liberal with the vodka, which was never a habit of mine before the war. Not that I’d ever been a teetotaler—“μηδὲν ἄγαν,” “nothing to excess,” was always my philosophy. In my career as well as in my personal life, I’d long subscribed to the middle path, to a certain Buddhist sensibility of avoiding excesses on both ends.
Aside from its philosophic appeal, I found that temperament beneficial to advancement, practically speaking. For the most part, people seem to trust and favor the man who keeps his head when everyone else is losing theirs, whether out of euphoria or despair. It was how I made major by the age of twenty-eight. More importantly, it was how I’d avoided putting a bullet through my skull, like the last major to lead the outfit before me.
By that time, though, I wasn’t quite myself any longer. The war had brought out the extremes in me. And so it was one evening that, faced with the prospect of yet another village roundup the next day, I found an empty quart of vodka in my lap and a loaded pistol in my palm. As I felt the coolness of the aluminum muzzle dissipate against the heat of my throbbing temple, I snapped out of my stupor as out of a fever dream.
From the depths of despair, something providential had been wrested; from somewhere in the pits of my drunkenness, the undeniable solution had stumbled forth. I holstered my sidearm, threw myself together, and roused the engineers from their bunks. They must have thought me as mad as Diogenes with his lantern, but I shrugged off their bewilderment, ordering them to gather all available explosives and make hasty preparations before dawn, exactly in the way I described.
That brings us full circle, back to the church dynamiting—which I hope by now you’ve developed a bit more of an appreciation for, considering all the above-mentioned ugliness that it spared both us and the Zonees. Still, there’s the matter of those equally ugly photos of the aftermath. They open up a whole other can of worms, don’t they? Or perhaps a can of Spam, given the thorough emulsification of the congregants.
Indeed, I imagine it must be difficult for someone like you, whose experience of war is limited to news articles one page removed from the Sunday funnies, to understand how turning a wedding group into wedding soup is more of a mercy than leaving them intact, save for a few holes in the head. Especially when that soup comes with all the fixings: vocal chords hanging from signposts like meat left out to cure; faces ripped from their skulls, floating in a fountain basin; filleted cocks lying on the ground like discarded banana peels… And have you ever seen a labia perched on a rose bush? With just a bit of artistic license, you might say it looks like a butterfly.
Ah, here’s the server at last. I’m thinking of the thirty-ounce porterhouse. I’ve worked up quite an appetite with all this talk, and it’s supposed to be excellent here, a prime cut with a nice layer of adipose tissue. “A little fat on a piece of meat can be a wonderful thing.” That’s what my grandfather used to say. Back in his day, he’d tell me, guests of honor were always served the fattiest piece. Those were the days when calories were scarce, and people weren’t so soft and sated as they are now. That’s half our problem nowadays, I suspect. Anyhow, you surely want more than salad, don’t you?
Not in the mood for fat? How about a nice rare filet, then?
As you wish. Suum cuisine—to each her own meal.
Now, where was I? That’s right, those photos. What bears repeating about them is that, despite the volume of bodily detritus—or rather because of it, as the case may be—the villagers felt nothing at all, save for their final moment of jubilation, immortalized forever and ever, amen. I almost envy them that, in truth… Almost. And as for the odds and ends, which proved so offensive to the squeamish here at home—what’s it to the Zonees? They had little use for ears or eyes or spleens in the afterlife. They were no Egyptians. The integrity of mortal remains is a matter of concern and handwringing for the living, not the dead. Besides, the villagers no longer had hands to wring, hands being among the most numerous detached bits we recovered.
I jest, of course. A little humor, however dark, can brighten even the dourest subject, in my considerable experience. It’s one of many defense mechanisms I’ve acquired over the years, I suppose. In truth, I myself wasn’t immune to the same profound disgust at the disassembly of fellow humans into their raw physical components, like appliances pulled apart on a scrapyard. Nor did I escape sheer existential terror at the alacrity with which the universe allows sentient beings to be reduced to unthinking globs of meat.
As I said, though, such things are a source of consternation only to us onlookers. Thinking rationally, they ought not factor into our decision-making whatever, as regards the disposition of the victims. To act otherwise is folly and fallacy—anthropomorphizing the dead, you might call it. And beyond not feeling a thing, let’s not forget that the congregants never suspected a thing either. It’s not death itself that’s intolerable, under the right circumstances: that’s but one fleeting moment, hardly even worth mentioning, especially if the executioner understands his craft.
No, it’s the knowing—the knowing and the waiting—that are the worst parts of the whole business. As I learned from the insightful gravedigger at my second reprisal, it’s standing around twiddling one’s thumbs, awaiting the blow, that allows the mind to make a dragon out of a dove. I slew that dragon, I blew it apart with dynamite—certainly no small accomplishment, if you’ll forgive the boast.
The new arrangement proved wholly satisfactory to the men as well. We were able to carry things off with only a fraction of the personnel required for a shooting action, sparing most of them involvement at all, save for employment as cordon guards to machine gun any survivors who fled the building. But the engineers had done their work expertly—a real bang-up job, you might say—and no one left the church in fewer than a dozen separate pieces. As a consequence, not a round was fired. It was an immense relief for men used to staring their quarry in the face, as you can imagine.
But I can discern by this point that you still find me morbid and peculiar, even after my explanations, and I sense that I’m in danger of being misunderstood. Perhaps you’ve detected a certain glibness in my tone, even a flippancy. I can’t really argue with the observation, but I’ll append the following qualifier: in a life as full as mine, I’ve found that one is often confronted with the choice to either laugh or cry. Bitter experience has taught me that it’s almost always better to laugh.
And the truth is, I’ve cried myself dry already. A river of tears is soaked into every seam of my old duty uniform. So what choice am I left with, really? Simply this: either to become, in the end, a dried-up husk of a human being—hollow, stuffed, like a taxidermied relic of times best forgotten—or to remain a generally lighthearted and jovial fellow in spite of it all. Call it an instinct for self-preservation, if you will, but I’ll choose laughter in most every case.
Even apart from its tone, I know full well that my tale will compel any thinking person to form a judgment as to my character, and perhaps even arouse the fiercest of passions. It’s not exactly the kind of story one tells over tea and cucumber sandwiches. Indeed, I can see that you’ve already begun to form just such an opinion from what you’ve heard so far. It’s only natural, and you can hardly be faulted for it. Maybe you’ve even started to entertain the wildest fantasies about me—that I torture small animals, perhaps, or that I was myself tortured in some way as a child.
Let me allay those suspicions right off. I had a perfectly normal upbringing. Not that everything with my family was always sunshine and roses, naturally, but it was entirely satisfactory as childhoods go. What’s more, I’ve always had a particular fondness for animals, and they seem to like me well enough too. All five of my cats died of natural causes after long and contented lives. I don’t really have the heart to take on a sixth. It breaks so easily nowadays. So I would ask that you kindly refrain from fixing any opinion about my character as a matter of established fact until you’ve heard the whole story, beginning to end. That’s simply common courtesy, and not, I think, asking too much.
As things stand, though, I can tell that my good cheer has fallen on deaf ears, and my humor has landed about as well as flatulence at a funeral. That might pose a problem, seeing as how there’s still the matter of that small favor I keep bringing up. It’s one that involves considerable judgment on your part, and for my own sake I’d do well not to tip the scales too heavily against myself solely for the sake of a cheeky little laugh.
So I’ll try another tack. With my next anecdote, I promise to be as sober and forthright as possible, and to refrain from any puns of the anatomical variety. As for the anecdote itself, I suppose I should try something a bit more relatable, more human. Hmm, what would serve us well in that respect?
Let me shuffle through my papers. One moment… No, that story won’t do. Not one little bit. Especially since there’s only a single toilet in this restaurant, and we can’t be sure it’ll be available to you on demand. What else, what else… Egad, certainly not that one, either. Not with ground beef sitting on our table. There must be something here for us…
Oh, I’ve got just the ticket! How about a love story?
Chapter 3
Very good, a love story it is. So let’s return now to April of ’42, before mass graves had become my stock in trade, to a time when my smile was still an innocent thing—not a facial contortion intended to hold back a mountain of corpses piled behind my eyes.
And let’s return as well to fair Z-4, crown jewel of the Garrisoned Zones, whose crimson poppy fields and storied hanging gardens would have been the envy of the German romantics of yesteryear. In reality, those gardens were the carcasses of towering Old-World high-rises, undisturbed by human trespass for a hundred years and reclaimed by nature. Still, that didn’t lessen their appeal—in my eyes, at least. If anything, it amplified their majesty through an added aura of historical gravity. Standing at the feet of those mysterious, slain giants and peering up into their lofty canopies left me with a distinct awareness of how frail and fleeting are all works of man, ultimately.
In my case, then, although I had come as an occupier, the Zones had conquered their rude conqueror, for I was well and truly smitten. At the time, I styled myself a real Schiller or Heine, and had taken to waxing poetic in my off-duty interludes. Looking back on it now, as I sometimes do, my scribblings were more kitsch than genuine craft—but show me an artist who’s capable of something greater than imitation at the age of twenty-seven, and I’ll show you someone who fizzles out equally young.
Oh! Mind the spider that just landed on your head! Here, let me help you. I’ll keep him under this spare wine glass until we can relocate him safely outside later on. A plump fellow, isn’t he? By the look of things, he hitched a ride here from the Zones. You can tell from his web in the corner there. See? It’s not a taut, organized, symmetrical web, like we’re used to. No, it’s loose, messy, irregular, with no discernible pattern to the latticework. I guess a few dozen Sieverts of radiation per year is all it took to make abstract artists of our arachnid friends. I always did suspect those twentieth-century expressionists had something wrong with their brains, and this development seems to bear that out.
Anyway, as for my own Zonee artistry, it wasn’t just the landscape that inspired me. I had become quite enamored of a local girl whose delicate features and fine proportions gave no indication of her people’s unfortunate legacy of intergenerational radiation poisoning. I had at first no idea whether my feelings were requited, though I liked to think so. When our eyes met sometimes in passing, at the vegetable market or near the local plastic mine, she often smiled and laughed a little before turning away.
One day, as chance would have it, I was startled out of my flirtations by the shouts of a mine overseer. He was a contractor, one of the skilled civilians shipped in to supervise the Zonee forced laborers. A rotund man, and a rather slovenly one too. He was lambasting a whimpering ten-year-old working on the sorting line. The girl had mistakenly mixed thermoplastic and thermoset scraps into a single bucket.
“Not like that, you ignorant bitch!” he exclaimed. “How many times will it take to get this through your radiation-addled brain: these ones get melted down and the others don’t!” He raised his right hand, preparing to strike her.
“Hey!” I shouted. “If you hit that girl, you won’t answer to the disciplinary committee. You’ll answer to me.”
He lowered his arm and looked at me incredulously. “What’s it to you?” he snapped.
“Tell me,” I said, “haven’t you ever heard that there are no failed students, only failed teachers?”
He nodded slowly, jowls jiggling.
“What does that make you, then?” I asked.
Apparently, he had finally noticed my rank tabs. He removed his cap and clasped his hands nervously. “Sorry, Captain. I know we ought not be too harsh with the young ones. It’s just so hard getting through to these pinheads—I mean, microcephalics, that is—without a little tongue lashing. We already stopped the actual lashings, though, just as instructed. A momentary lapse on my part was all. It won’t happen again.”
“See that it doesn’t. Oh, and have one of your own men clean up the puddle of waste over there. The kids aren’t trained for that.” The mine was located near a melted-down nuclear reactor, and remnants of the liquified reactor core still occasionally bubbled up to the surface.
The overseer scurried off, cap in hand. I looked back around in search of my love interest, but she was nowhere to be seen.
I did spy her again the next day, though, and from then on I found my glances reciprocated more readily. As the weeks passed, her gaze lingered longer and drifted lower, hovering over the outline of my pectorals beneath my field tunic and the bulge in my riding breeches. Her expressions grew more serious and less coy, until one day she abandoned all pretense and failed to avert her gaze at all, daring me to do so first. Her eyes held me fast and bore me along after her, through the marketplace and into an empty pole barn nearby. She had already stripped bare by the time I entered. I quickly did likewise.
“That was my sister,” she said after I removed my trousers.
I regarded her with confusion.
“The girl at the mine,” she clarified. “Three weeks ago. You protected her. Why?”
I shrugged, unsure how to answer.
“You’re a good man. And…” she said, looking downward, “a gifted one too.”
I saw her there in her nakedness, skin glistening and mons swollen, and she saw me in mine, engorged and trembling, and we knew each other for the first time in a horse stall, again and again and in every arrangement, pausing only to gulp air and water, until the sun was low in the sky and the calls of her parents were rising in the distance. Throughout the whole encounter, not another word passed between us, save for her name: Claire. We parted with a long embrace and the shared, unspoken intention of repeating the act as soon and as often as possible.
For days thereafter, I felt wild and unconstrained by duty or circumstance. I laid mad plans to wed Claire and abscond with her to our own little republic of love and harmony, somewhere unsullied by smokestacks and dead rivers and barbed wire. I longed for the war to be behind us and men the world over to become brothers once more. I even dared to write as much in my journal—in iambic pentameter, no less… Pure kitsch, as I said!
Regardless, fate swiftly intervened to stymie universal human brotherhood, as it often seems to. The very next week came that first reprisal I told you about earlier, after issuance of the Hardening Decree and the assassination of the sentry at the plastic mine. Unfortunately, it was Claire’s community on the chopping block.
My entire battalion was awoken pre-dawn and summoned to muster in the courtyard of the garrison fort, where our colonel read us the full text of the decree. You could have heard a pin drop—or a helmet drop, as the case may be: one stunned private actually did lose hold of his. The men were by and large shaken, anger at the sentry’s murder quickly giving way to shock at the scale of what was being asked of them. Many looked from side to side to ensure that they had heard correctly. Some fell out of attention, and a general murmur went up along the line.
“Silence!” the commander’s adjutant shouted. “The colonel hasn’t finished!”
“Men,” the colonel resumed after everyone had snapped back to attention, “that was the full text of the order, just as it crossed my desk. I’ve now delivered it to you, as required of me as your commander. But as a fellow human being… I cannot in good conscience demand that you carry it out.
“Therefore, I ask only that you search your own hearts. No man who absolves himself of this duty will be subject to any official reprimand, so long as I remain in command. Neither will anyone be questioned who chooses to join the firing line and do his duty to the Director in good faith.
“That is all. Those who wish to depart may do so now and return to their bunks. Those who prefer to stay, gather rifles and shovels. God alone knows which of us chooses rightly. Victory guide us all. Dismissed.”
After we had fallen out, some of some men chattered in small groups, laughing nervously. Others paced back and forth alone. A few knelt in prayer, evidently looking to the heavens for guidance. One simply sat on the ground with his head in his hands, crying. Cigarette smoke was ubiquitous, and a white haze formed over the entire forlorn assembly.
Plans were quickly drawn up by the executive officers, a conversation to which I was privy. I was only half-listening. My thoughts were fixed entirely on Claire and how best to ensure her survival. We spent a scant half hour in the briefing room. It wasn’t nearly sufficient, in hindsight, but the colonel wanted to beat first light.
Just before dawn, we rolled into the derelict football stadium the locals called home in full force, horses whinnying and sirens blaring. The residents were ordered out of their domiciles in the stands with bullhorns. After they assembled, groggy and befuddled, they were kept under guard as we readied to dig a pit in a poppy-studded section of turf. Unlike the rest of the field, which sported a variety of fruits, vegetables, and grains in carefully cultivated lots, the poppy patch been left unsown and allowed to grow wild as a space for children’s play.
“They mean to bury us!” came the apt cry from one of the local women, shortly after we’d broken ground with engine-powered excavation equipment. Several others shushed her, insisting she was mistaken. Now, the Zonees aren’t exactly known for their smarts, but it doesn’t take a higher mind to realize we weren’t digging for buried treasure. Still, there was no precedent for such a thing in living memory. And apparently, they found what we were preparing to do as unbelievable as we ourselves had just a few hours prior.
Within thirty minutes, the pit had been dug to the engineers’ specifications. It was a best guess—but not nearly deep enough, as it turned out. The shooting then began posthaste. The first batch of ten Zonees were ushered to the edge of the death pit at bayonet point. The thirty riflemen of the firing squad took their positions, ten yards from the condemned. A private who doubled as a percussionist gave three quick strikes with his drumsticks, silencing the assembled.
“Ready!” a fellow captain barked.
The riflemen shouldered their weapons, bringing the muzzles into line with the Zonees.
“Aim!”
They aligned their sights with the condemned, so that three rifles were aimed at each of them—one at the head and two at the chest. The percussionist began a slow drum roll. It gained speed, steadily building to a crescendo.
“Fire!”
The guns let out a sharp report that cut right through me. Wisps of unburnt powder spilled out of the barrels, and in the same instant puffs of dust arose from the villagers’ shirts and blouses, along with clouds of red mist from their crania.
The shooters immediately racked their rifle bolts, ejecting the spent cartridges. The casings fell to the ground at the same moment the victims did—all except one, who had somehow gone unscathed and remained standing.
One of the riflemen trotted up to the man and dispatched him with a shot to the forehead, point blank. The muzzle energy blew the back of his skull off and popped his right eyeball out of its socket, leaving it dangling by the optic nerve. Some of the townsfolk began to weep. A few fainted.
Sergeant Meyer paced up and down the line of the fallen, firing a pistol round through the head of any corpse twitching excessively. He sometimes leaned onto one foot while he did this, adopting an air of nonchalance that spoke of experience and comfort with the act. The captain signaled to the grave detail, who pushed the bodies into the ditch with their boots.
It continued in that fashion, wave after wave, until finally the ceremonial drumrolls were abandoned and shooters were left to fire at will, choosing their aim points themselves. In several cases, three rounds penetrated a single head. Their skull caps were propelled ten feet into the air by powerful spouts of brain matter. Other crania blew out to the sides, evacuating their contents in a gentle cascade. Heads that remained intact discharged their insides forward, through the eye sockets, nose, and mouth. Even at a distance of twenty feet, one shooter received a smattering of brain to his face. He threw up immediately. That set off a vicious cycle, with five others vomiting in quick succession.
From there it was all downhill. The shakes set in and shooters began to miss, resulting in some residents clutching wounded limbs and others left standing entirely unharmed. The men fumbled their reloads. One woman even made it past a second volley unscathed. A baby-faced private approached and shot her in the head, but his pistol round only succeeded in ripping her nose off, otherwise failing to penetrate.
The private hesitated, then fired again. I couldn’t see where his second round went, but the woman was still standing. He began to scream, firing over and over until he had emptied his entire magazine into the oozing, quivering vestige of her head. Still she refused to fall, and suddenly it became clear that her body was being propped up by a small tree stump tangled in her dress, pressing into the small of her back.
By then it was apparent that discipline was at risk of fracturing, so the colonel ordered a temporary halt to rest the riflemen and ply them with liquor. The pit was only halfway full. In the interim, officers were ordered to the line with pistols to do their bit. I was third in the queue—and, as I’d arranged, so was Claire.
The lieutenant before me shared a cigarette with his victim-to-be as they awaited their turn, chatting. His Zonee was an elderly man who appeared unperturbed by the proceedings, as if he’d been ready to go for some time, and this was as good a way as any. The cigarette was still burning between his fingers when they shoveled him into the pit.
“All right, we’re waiting on you now,” Meyer said to me soon after. He had been assigned to babysit me on the firing line in case I really lost it. It’s difficult to predict how a given individual will respond under such circumstances, as I would learn. “It only takes one moment of resolve,” he added softly, with what seemed like genuine empathy.
I drew my sidearm but for the life of me couldn’t fully retract the slide to chamber a round. The pistol had scarcely been fired except in proofing, and its recoil spring was still exceedingly tight. I finally managed to pull it back far enough to unseat a cartridge from the magazine, but my stroke was too short and the round failed to feed properly.
Meyer held out an open palm. I stared at it in bewilderment. He gestured with his fingers until I realized he was inviting me to give him the gun. I handed it over, happy to be rid of the thing. He examined the pistol for a moment, then methodically cleared the jam. He drew the slide back and released it in one smooth motion, chambering a round. Finally, he retracted the slide a few centimeters to check that the cartridge was seated properly.
“All good now, sir,” he said with a reassuring smile, returning the pistol and closing my fingers around the grip. He patted me on the back. After a few seconds, the pat turned into a gentle nudge toward the death pit.
Claire had already taken a kneeling position on its lip, preparing to join her family and neighbors therein. She appeared serene, unflappable, her breathing steady and unlabored. It was as if she had already come to terms with her fate, despite that fate calling her to an early grave. Before raising her eyes to the horizon, she cast a final glance at me over her shoulder. Her hazel eyes were full of compassion—compassion, I imagine, for what she knew was a fate worse even than her own.
My legs were rubber as I approached and came to a halt directly behind her. I raised my shaking pistol, centering her cascade of red locks between the sight posts. After a moment of panic-stricken indecision, a sense of tranquility came over me, quite inexplicably. My hand steadied and my heartbeat slowed. My senses seemed to heighten, and the ticking of my timepiece became the beating of a bass drum. The duration between strikes lengthened until the watch’s gears shuddered and ground to a standstill.
Then, suddenly, everything reversed, picking up speed and gaining momentum, faster and faster, like a freight train hurtling toward a bend in the tracks, entirely out of the conductor’s control. My heart thundered against my rib cage, a prisoner pounding the bars in impotent defiance.
Just as it felt ready to explode out of my chest, I jerked the trigger forcefully—forcefully enough to pull the entire pistol to the left, so that the shot missed wide. Claire’s hair fluttered as hot gas exited the bore and the bullet grazed her temple, lacerating the skin.
Before the smoke had even cleared from the barrel, I kicked her on the back, hard. She lurched forward and tumbled into the pit. Her fall was broken by the body of a pregnant woman whose swollen belly, violently compressed by the impact, discharged a meter-high jet of reddened amniotic fluid through a dime-sized bullet wound.
Meyer stepped forward a few paces, flattening red poppies under his hobnailed boots. He paused at the lip of the pit and gazed down in. Claire lay completely still. Her face and arms were smeared with blood, excrement, and bits of placenta; it was impossible to determine whose. In fact, it was difficult to tell where one body ended and the next began. Her right arm and left leg were intertwined with the limbs of the corpse beside her, a young mother with a gaping chest wound whose nipples were discharging a pinkish slurry of milk and blood.
“Good shot,” Meyer said. “Now go wash up and hit the rack. You look exhausted.”
I rode back to camp in a daze. Behind me, the shooting continued unabated. Rifle and pistol reports reached my ears like corn popping on a stovetop, first continuous and indistinguishable, then regular but distinct, finally sporadic. That last bit was the worst, actually. Each shot, I knew, represented a father or a brother, a woman or her infant—or perhaps both of the latter two, since mothers were allowed to hold children under three years of age to their breast on the firing line. That seemed to calm both mother and child, as well as allowing a single bullet to pass through both; a tidy cost-savings, the higher-ups figured. The engorged belly of one baby killed in this way burst like a water balloon, spraying a liter of milk in all directions.
After I arrived at our garrison stables, I struggled to tie up and untack my horse, nauseated and trembling as I was.
“Here, let me help you with that, sir,” a private said, jogging up to me. He was one of only several men who had elected to sit out the action, claiming stomach distress. Everyone knew it was a pretense. “It’s the least I can do,” he declared with a little bow of shame.
“It’s I who should be bowing before you,” I said, patting him on the shoulder.
I excused myself and stumbled into my quarters, barely making it to the bunk before my legs gave out. In spite of my fatigue, sleep refused to take me. It was 6 p.m. For the next six hours, I lay awake, eyes fixed on the ceiling. I thought in equal measures of the last twelve hours and the next.
At the stroke of midnight, I arose and exited the hut as quietly as I could. I fed my horse a carrot to stifle any whinnies and tacked him up. After mounting, I rode the mile back to the stadium. The death pit was covered with only a thin layer of dirt—not enough to deter the jackals that had come to scavenge by night. They fled as I approached, a few carrying off hands or feet.
I immediately set to work, clearing the earth from one section and pulling corpses out one by one.
“Claire,” I whispered. “Cry out if you can hear me.”
“Here!” she sobbed at once, as if a dam had burst from her lungs. Her voice came from what sounded like a few feet below and to the right.
“Hold on, my love. Please hold on.”
As I hoped, the bodies had been stacked loosely enough, and the dirt shoveled on sparsely enough, to allow for air to pass through. I dug faster, dropping my shovel and switching to bare hands when I reached the last few inches of soil. After uncovering her, I brushed the dirt off her face and made certain her airway was clear. She coughed forcefully, then took deep gulps of air punctuated by sobs. I cleared the earth from the rest of her body and hoisted her out of the pregnant woman’s collapsed abdomen like a chick plucked from an egg.
Throwing her over my shoulder, I clambered up the side of the pit. I set her down and examined her. All the blood appeared to belong to others; she had no wounds of her own. I helped her to her feet and she threw her arms around me, still wailing.
“I’m sorry,” I said, holding back my own tears. “Ever so sorry.”
I knew we hadn’t a moment to spare. I gave her my canteen, which she drained in one quaff, then threw a woolen blanket around her shoulders. I hoisted her onto the stallion and swung myself up. We set off into a nearby wood on the outskirts of the city, following a trail that led to parts unknown. It didn’t matter. Anywhere but that godforsaken football field would suffice.
We rode and rode, further and further into the forest and away, I hoped, from those who would tear her from me, given the chance. The sun had already started to rise when I spied it: a small log cabin that looked to be abandoned. Perhaps an unattended hunting lodge, I thought.
I tied up the horse outside and helped her down. The door of the cabin was unlocked, and there were two small cots inside. She was already asleep on one of them before I had even closed the door behind us. I lay down and did likewise, falling immediately into a dreamless slumber.
Some hours later, I don’t know how many, I awoke with a jolt. Claire was gone from the other cot, which was made up neatly. I threw myself out of bed in a panic. Had I dreamt the entire thing? Was she still back in the death pit, moldering away, while I in a fit of mad grief rode alone to this place?
No, I soon realized. Her voice was rising from just outside, soothing my stallion in spite of her own recent torments. I was equally comforted by what I didn’t hear—shouts of soldiers, screams of the dying, idling of engines or the crack of rifles. Aside from Claire’s words and the chirping of songbirds, there was only welcome silence. All was as it should be. Reassured, I left the dwelling and quietly made my way to the edge of the tree line, stepping over scores of poppies along the way.
I hadn’t noticed the flowers when we arrived. Their vibrant red hue stood in stark contrast to the greens and browns surrounding them. But it wasn’t the flowers that interested me in the moment: my sights were set on a willow tree. I broke off a thin, pliant stem from one of its low branches, looping it several times and carefully knotting the ends to form a ring small enough to fit Claire’s finger.
Satisfied with the result, I returned to the vicinity of the cabin, where I saw her outside. She had just finished bathing in a stream and was donning her pretty, homespun dress. The garment was clean again, free of any traces of blood or muck from her time spent below ground. After she pulled it on and wrung out her hair, she knelt in the garden, collecting a few carrots to feed the horse.
My heart was pounding in my ears as I approached her kneeling figure from behind. I did so in silence, hoping to surprise her with the ring and declare my intentions. She didn’t notice my steps and remained turned away, her face in a rosemary bush.
When I had come within a few feet, I raised my arm up and toward her, toward her cascade of auburn tresses, which I wanted more than anything in the world right then to stroke, to caress and let flow through my fingers like water, until she knew how dearly I loved her. In my hand was the ring, grasped between my thumb and pointer.
I suddenly felt it slipping from my grasp, as though I were about to lose hold of it. Instinctively, I tightened my fingers to prevent it from falling—and in that instant a shot rang out. It was then that I realized: I wasn’t standing in a forest at all, but in the poppy patch. There was no cabin and no freshwater stream before me—only the death pit and the stream of blood running into it.
No, there had been no missed shot, no clever ruse, no daring rescue, no moonlit ride to safety. Nothing of the kind. I was back in the moment of decision, from which there was no escape, then or ever. And the ring? It was no ring at all. It was the trigger guard of my pistol. The decision had been made.
No sooner had my fantasy disintegrated than Claire’s head did likewise, exploding in a shower of gore that scattered blood, brain matter, and shards of bone in a dramatic arc onto the ground in front of her.
The dry, thirsty soil was quick to absorb the moist bits, soon leaving only her skull fragments, which were embedded into the earth like splinters of bark from a pine tree after a lightning strike. The lifeless husk of her kneeling body remained upright until Sergeant Meyer gave it a firm shove with the sole of his boot. It tumbled end over end into the death pit, discharging the remaining contents of its braincase on the way down.
“A messy one for your first time, sir.”
That’s what he said. I remember that clearly.
And then, “Sorry about that. But don’t worry, it’s not the norm. Most of the time at this distance it’s a clean through-and-through and the skull stays intact… Come to think of it, mind if I have a look at your sidearm?” Or something to that effect. He held out an upturned palm, inviting me to give him the gun.
I handed it over. He cycled the slide, ejecting a live round and deftly catching it in mid-air. Holding it up to his face, he studied the tip of the bullet protruding from the case. Then he quipped, “Ah, there’s your problem right here, sir. Hollow point. See?” And then that line about “in like a pebble and out like a boulder.”
Thus concluded my first punitive action, which I already mentioned previously, though perhaps in a little less intimate detail. My own participation lasted only half a minute in reality, but a bit longer in my mind’s eye, as I’ve just elucidated. The human mind is curious that way. We ourselves are our own deepest mysteries; we carry universes in our heads. If I learned nothing else from the experience, it’s exactly that.
After confiding the vision to our field doctor, he assured me that the whole thing was the result of an antimalarial medication we’d been issued. Apparently, visual and auditory hallucinations are a well-known side effect. He took me off the drug, but I still had half a bottle left. I downed the pills in an attempt to return to the cabin in the forest, without success. I never did make it back to that place.
Some weeks later, after the bitterest of my tears had already been shed, I was feeling inspired by the strange occurrence on the lip of the death pit, that liminal space at the edge of nothingness where wondrous possibilities abound, both exhilarating and excruciating. So I took occasion to jot down a little poem. I’ve held onto it all these years. Would you believe it? Here, let me show you.
Still legible, yellowed from age and stained with teardrops as it is. I’ll give you a brief recitation, if you’ll pardon the lilting of a mawkish old man. Here goes.
Claire.
Nightly, while I lie in bed, dreaming dreams—though she be dead—
Of freckled skin and windswept hair and all the goodness that was Claire,
Throwing round her frame my arms, I embrace her with alarm—
My love, you see, slips through my grasp in wisps of flesh and puffs of ash.
Though I’m not a maudlin man, human wonts mean I still can
Perceive the sights I used to see: the lilac, lark, and bumblebee;
Hear, too, sounds that I once heard: her gentle laugh, the hummingbird;
And smell what once beguiled my nose: her rain-soaked clothes, the fresh-cut rose.
Sights and scents of yesterday serve me now to ward away
Those that take root here today: the dirt, the grave, her sweet decay.
Claire, in grace, returns to me in spite of how she left—You see,
I loved so much that, ere we wed, I loved the brains out of her head.
Très romantique, no?
Chapter 4
No publishers would bite at the poem. Odd thing, that. But there’s no accounting for taste. Besides, any artist worth a damn isn’t understood until at least a hundred years after his death, for the most part. I suppose artists and war criminals have that in common.
Anyway, you’ll forgive the romantic interlude, but I thought it prudent to finally lay our scene properly. After all, you came to hear the story of a conscientious killer, a person who, in service to the state and in pursuit of ends not of his own design—in spiteof his own designs, in fact—set about systematically liberating human brains from their skulls. And the beginning of that story—an altogether atypical one, I’ll admit—was the precise point at which my life diverged from the typical. For it’s not every day that a man toasts his engagement with cerebral fluid, you’ll concede. Not all biographies are so clear-cut in their inflection points, but if nothing else, mine has the virtue of clarity in that respect.
You’ll also want to know, of course, why I did it. I suppose I could tell you that had I refused, Claire and the others would have been killed all the same. I could remind you that the only one I would have saved is myself—not my love, not her family, certainly not the other poor bloke who would have had to ventilate her skull in my stead. I could insist that any morality that takes as its chief duty sparing one’s own tender sensibilities at the expense of one’s comrades is no morality at all.
I could tell you those things, but I won’t, because the truth is they’d be nothing but fancy post-hoc rationalizations. In the moment, such thoughts were as far from my consciousness as they are from a chimpanzee’s. My mind was entirely blank; higher order thinking had abandoned me. I was an automaton acting by rote, a creature reduced to base physical impulse. And whether by training or by instinct, by fault in myself or in my stars, my hand held steady, my aim was true—and Claire, poor Claire, a mound of goo.
So much for insight! But perhaps I’m still the wisest perpetrator of them all, in the same sense that Socrates was the wisest Athenian: I’m the only one who’ll honestly answer you, “Fuck if I know.” But as to why I kept it up and saw things through to the finish in action after action, even with my wits about me, I can only state the following: In the end, I had a job to do, and I did it to the best of my ability.
It’s the duty that chooses the man, not the other way around. And those of us chosen by that heaviest duty became for the nation a forlorn hope, charging headlong through the breach of a moral chasm, many never to see daylight again. We did this without the expectation of fame or recompense, or even a marked grave. We knew that ours was a page in history destined either to be torn out, if the war were won, or held high for public ridicule if it were lost. No, we persevered simply because we wished to spare others the same burden.
That was our code, our fundamental decency. And through it all, I like to think we remained decent fellows on the whole, even if the only decent thing we could offer was a cigarette, a sip of fresh water, or a bullet to the back of the head instead of the front. We offered these things not because we expected to be held to account if we didn’t, nor because we were beholden to some half-baked moral dogma like the self-righteous screamers and sensationalists of virtue back home, but simply because it pleased us to.
That’s just the kind of men we were. That was our nature; it couldn’t be helped. And ultimately, we shouldered the burden for them too—the screamers and sensationalists who slapped us across the face with the very hands we kept clean; the fuel-drunk hypocrites who were only too happy to enjoy the bounties of our campaign while condemning its unavoidable exigencies; the effete dandies whose lifestyle of coffee-sipping malcontent was built on the backs of more stolid, uncomplaining men. Theirs was the fruit of our labors, the luxury of morality in a nation of abundance. Ours was perseverance in harder times that demanded harder hearts, a world less than a century removed from collapse. Ours was, in short, the cross, the grave, the skies. There’s nothing more to be said.
So when they write the history of the whole godawful mess a hundred years from now, after the wounds have long scarred over and cooler heads prevail, it’ll be us, not the hypocrites, not the phony do-gooders and impotent well-wishers: we’ll be the ones unlike the rest, the kindhearted few who did what was necessary—and not a thing besides. We, the earnest killers, the men whose deeds were the terrors of the Earth: we’ll be the decent ones, we’ll be the men apart.
But I don’t have a hundred years to wait—not even ten, in all likelihood. I need an impartial judge in the here and now, a dispassionate arbiter of my life’s work. That brings us at long last to the subject of the little favor I mentioned, the token I’ll ask of you now. A trifling thing, really. You see, I didn’t come here tonight for a disquisition, but rather a deposition. What I mean is, I had in mind not just a sharing of accounts, but a settling of them. You might even call it a trial of a sort: the same trial, in fact, that was denied to me at the end of the war, when we were granted clemency as part of the accord. And it’s you who’ll be presiding.
You seem a bit bewildered, so allow me to explain. As I said earlier, the worst parts of this whole living business are the knowing and the waiting, and that applies equally whether one has five minutes remaining or fifty years. I spared the Zonees that, but I couldn’t spare myself. In my case, it’s knowing that after yielding the best years of my life trying to wrest some semblance of decency and order from a horror show, what remains to me now isn’t vindication or absolution—not even judgment. No, firing lines have been replaced by waiting lines at the bureau of motor vehicles, plugging skulls with plugging leaks, signing death warrants with signing pension checks. In short, the horror of the extraordinary has been displaced by the horror of the ordinary, the mind-numbing march toward oblivion.
The real horror, you see, isn’t judgment, isn’t elevation to heaven or consignment to hell. The real horror is abeyance, purgatory, limbo. It’s the state of clemency, non-judgment, of no one caring enough to even bother putting a noose around your neck. And then, when you finally do die, someone will read about it in the newspaper while they’re on the shitter. Only it won’t say anything about whether you did good or bad, whom you loved and whom you loathed, the things you hoped for or feared or despaired of. It’ll simply say “veteran, registered war criminal, died of natural causes.” And then they’ll pinch off their loaf and close the page on your existence.
So I hope you won’t begrudge me that, whether out of defiance or terror or simple boredom, I’ve come to you for judgment instead. Since the legal system has sworn me off, I figure you’re the next best thing. Who better than a hard-nosed, no-nonsense journalist to take a cold, disinterested look at the issue and give an honest accounting of the facts, free of any obfuscation or prevarication—even if the issue under interrogation is a human life? I need a person unafraid to sift through shit and sludge, a muckraker to rake through the muck of my existence. I need to know whether, in your eyes at least, all my dutifulness and good cheer, all my striving after decency and fair play, amounted to anything more than a piss in the wind. I need to know, in other words, whether I’ve made my case.
Your judgment in the matter should wrap up the proceedings of my life nicely and end things with a bang rather than a whimper, as befits me. You might wonder why I don’t simply make the determination myself and settle things in the privacy of my own home, if it comes to that. The truth is, it’s clear to me that I can no longer trust my own judgment. Why, just last week I confused a child at the park for a Zonee girl whose brains I couldn’t extricate from under my fingernails for a good two weeks, thirty years ago. I suspect dementia and other cognitive maladies are fast approaching, if they haven’t taken root already.
The time for delay and indecision is therefore at an end. I hereby recuse myself; my fate rests entirely in your hands now. Enough talk. Ten words sufficed for my men, so fifteen thousand should be more than enough for me, whether as an apologia or an epitaph. Indeed, it’s not what remains unsaid that matters now: it’s what remains undone. The time has come for me to shrug off the infirmities of old age and become a man of action once more—and maybe a trigger man too.
You see, all this business about notes and meat grinders and band saws was no idle chatter. No, I’d like to put some skin in the game, as it were. So I brought an old friend along tonight. He’s been with me the entire time, waiting patiently, right here in my trousers. Allow me to introduce you to my old duty sidearm, freshly cleaned, lubricated, and checked for function just this morning. I figure it’s fitting that he’s here with me now to bring things full circle.
So what’ll it be, Your Honor? Will your recording be my exoneration or my adieu? Are you prepared to absolve a war criminal—or shall I blow my fucking brains out the back of my skull, right onto that lovely young couple sitting behind me?
I’d wager that ought to earn me a little more than an overlooked obituary in the Sunday paper, don’t you think? And if I can’t win my legacy the Spartan way, at the business end of an enemy spear, I may as well earn it like my men—at the end of my own barrel. That way I’ll restore some of the blessed simplicity I’ve foregone with all this blabber, in the form of tomorrow’s news headline. I imagine it’ll be short, to the point, but memorable enough. I’d fancy something like “Diner turns own head into bowl of soup at Le Ranch Radioactif,” if I had my druthers.
And say, would you look at that! Here comes the waiter with our mains, right on time. I hate to rush your decision, but I’ve never been one to eat and gun. So if it’s all the same to you, I’d just as soon learn straight away whether I’ll be eating my steak or eating a bullet.
Now tell me, will this be a full course meal—or a soup-and-salad affair?
Truman Capote, 1948. Photo: Carl Van Vechten. Wikimedia Commons
CHRISTOPHER SANDFORD remembers a brush with brilliance
Better men than me will find ways to celebrate the centenary of Truman Capote’s birth on 30 September 1924, or will have already done so. Forty years after his death, the critical consensus on Capote is of a radiant youthful talent who later developed a tragic addiction to drugs, alcohol and the attention of well-heeled café-society ladies, whilst bloating in his kitschy New York penthouse apartment like Elvis Presley at Graceland. It’s a caricature, if one with a grain of truth.
Some of Capote’s early stories, written when he was barely out of school, still dazzle today in their precocity, craftsmanship, clarity, and, above all, the tendency to leave powerful things unsaid just below the surface that he shared with Ernest Hemingway. By and large, they deal with the lives of the lonely, broken and/or marginalised in society, and it could fairly be said that their author, having grown up gay in the American Deep South of the 1920s and 30s, knew whereof he spoke. Capote’s debut novel, Other Voices, Other Rooms, written when he was 23, bears comparison in some of its broad outline to The Catcher in the Rye as acoming-of-age saga,both books in their way a definitive work on what it was like to be a teenager in those rackety immediate postwar years. Each one speaks in the unforgettably haunting voice of the adolescent at odds with an uncaring world.
I admit I can take or leave Capote’s celebrated 1966 true-crime novel In Cold Blood. It’s an arresting tale in itself – the slaughter of four innocent members of the Clutter family in their desolate midwestern farmhouse – but set against that the author’s implied sympathy for the two murderers, and the note of voyeurism throughout, always seem to produce effects comparable to mainlining castor oil. For better or worse, the book made Capote’s reputation for the ages. Sometimes considered the original non-fiction novel, it became an international best-seller but also in time took a heavy toll on its author. Capote himself later remarked following the judicial execution of the Clutter family’s killers, “I’m still haunted by the whole thing. I may have finished the book, but in a sense I never will.” For whatever reason, he never wrote anything of real substance again.
Truman Capote, 1968. Photo: Erich Koch. Wikimedia Commons
Which brings me to the events of April or May 1983 (in those blissful analogue days, I wasn’t keeping a precise diary of my movements), when I was living a somewhat makeshift existence in a basement room on the Upper West Side of New York, trying, and failing, to become a great Anglo-American novelist, or for that matter a novelist at all. A local friend had worked on and off with John Cheever, who actually was a great author – you should read his story ‘The Enormous Radio’, if you haven’t already – who had died about a year earlier at the age of seventy. Now he, the friend, was organising an informal gathering to celebrate Cheever’s life at a bar across town called The Guardsman, where the deceased had apparently often come to loiter of an evening. I went along.
The Guardsman (since defunct) was one of those dimly-lit, wood-pannelled rooms with framed caricatures of famous habitués on the walls and a perhaps overdone but not wholly unsuccessful aspiration to the general look and feel of a London gentleman’s club. Everyone there – journalists mainly – was clever, voluble, and (those were the days) beautifully dressed. Our host, for example, wore a red silk shirt and a Tom Wolfe-like luminous white suit, in which he darted hither and thither like a large tropical fish. (Wolfe himself, though living reasonably nearby, wasn’t present.) There was quiche and bite-sized sausages to eat and plenty of champagne chilling in the stainless-steel Miele fridge behind the bar. The conversation was bright, witty and ill-informed. I remember that one prominent Manhattan political columnist assured me that “that bitch Thatcher” would lose the forthcoming British general election, and I advised him not to bet on it. (When the day came, the Conservatives won their biggest parliamentary majority since the Second World War.)
Truman Capote, 1980. Photo: Jack Mitchell. Wikimedia Commons
It wasn’t all vacuous backslapping amongst hacks out for the night, however, because seated on a high stool at a table in the corner of the room, his tiny legs dangling down far short of the floor, was a middle-aged man in rumpled grey trousers and what looked suspiciously like a crested school blue blazer, with five or six young people standing attentively around him. “Truman,” my friend hissed in my ear, as if he might not be instantly familiar. It turned out that Capote had been both a friend and an admirer of the writer whose memory we were there to honour, which was no small accolade coming from him. This is a man who had said of James Baldwin of Go Tell It on theMountain fame; “I loathe his fiction; it’s crudely written and of a balls-aching boredom,” which was harsh, certainly, but almost counted as a rave review compared to his opinion of Gore Vidal. “I’m always sad about Gore,” Capote once quipped. “Very sad that he has to breathe every day.”
Catching my own breath, I went over to the centre of the action. It was Capote, all right. Diminutive, sallow-faced, such hair as remained a sort of cornfield blond-and-grey stubble, pink-framed sunglasses, the trademark singsong voice. Everyone was laughing loudly about something he’d just said, the way people do when someone with a reputation as a wit does so much as to ask what time it is. He smelled a bit musty, but with a patchy application of dynamite-strength cologne. One woman aged about nineteen was standing at the back of the circle, eating a slice of quiche. “What did he just say?” I asked her quietly as I came up to join the group. She tried to tell me, but her mouth was too full of quiche for her to reply coherently.
I had just one direct exchange with Capote. After a while he asked me my name and occupation, and when I mumbled the word “writer” he said “Oh?” and enquired what I was working on just at present.
Since he’d asked, I launched into my still-unrealised plan to publish the definitive biography of Charlie Chaplin, my hero then and now, with words along the lines of “There’s a poignancy to him that I’m not sure anyone’s ever really captured in print, when you come to consider his upbringing on the back streets of Lambeth, and how just a few years later his wealth and fame fused together to create something close to our modern definition of celebrity, beyond anything people had conceived before …” My voice trailed off as I realised, hopefully just in time, that I might have been telling Mozart about this little piece I was larking about with on the piano.
I have to say that Capote’s face – so far as it was visible behind the shades – registered nothing but good-natured interest. After a bit he gave a high, ringing laugh, which sounded something like a pile of loose change being thrown onto a counter-top, looked up at me, his eyes then seeming to dart around the room to make sure everyone was listening, and began a long and magnificently obscene story about “my friend Charlie” and his widow Oona, that concluded with an account of how a few years earlier a pair of feckless Bulgarian auto mechanics-turned-grave robbers had removed Chaplin’s body from its resting place in a Swiss cemetery in a failed attempt to extort money from his family for its return. On the whole, Capote was loquacious, unapologetically rude about certain parties, and still very funny. No doubt his Chaplin monologue might have been construed as inappropriate, or offensive, had one of today’s culture police overheard it. But everyone around Capote’s stool was guffawing. I thought him to be on cracking form, and apparently content to sip a single glass of what looked like either gin or possibly vodka, although I noticed the merest hint of a reel when, a few minutes later, he stood up, bowed to us elaborately, and made for the door. After he left, it felt as if about twelve people were suddenly missing from the room.
Although Capote appeared commendably restrained in the Bacchic rites that night at The Guardsman, I wasn’t completely amazed when I read a couple of months later that he’d been found guilty on a drunk driving charge – appearing in court, to the presiding judge’s displeasure, in a pair of tight blue shorts and a sports jacket – nor, sadly, when it was announced in August 1984 that he’d died, at the age of 59, officially as a result of ‘liver disease complicated by phlebitis and multiple drug intoxication’, to quote the coroner’s report. His old sparring partner Gore Vidal, unable to restrain his glee at the news, called his death “a wise career move.”
Some time later, I found myself thinking of the strange tale of Charlie Chaplin’s exhumation once again when it was reported that Capote’s own ashes had been twice stolen from the home of his friend Joanne Carson, and then on Carson’s own death put up on public auction, where they were sold for $44,000 to an anonymous bidder. Perhaps the Southern-gothic writer in him might have been sardonically amused by the notion of complete strangers competing to own his mortal remains. Or perhaps not. Somehow you could see Capote making it the denouement of one of those wonderful early stories with their lapidary prose style and fascination with what happens once someone moves the guardrails defining the limits of what constitutes acceptable moral behaviour.
As I say, a purely personal, thus subjective, Capote story to mark his centenary. Intelligent, opinionated, scathingly funny, arch, camp, surprisingly kind, and in my limited experience raucously good company, even if his charm came equipped with a sensitive on-off switch, his career might be broadly divided into a first half in which he was positively touched by genius – almost spoilt by fortune – and a second in which he increasingly became not so much a creative artist as a character, a carefully constructed image that seemed, frankly, to be more mask than man. On 30 September I shall raise a glass of something suitable, and re-read the last pages of Other Voices, Other Rooms, in his honour.
In an 1874 letter to members of the Augustinians of the Assumption, Venerable Emmanuel d’Alzon, who founded the congregation in 19th century France, spoke about the “radical denial of the rights of God” in the post-revolutionary period. Society then – as now – did not understand the order of things and did “not want the truth to serve as its bedrock.” And he observed that “ever since society ceased to rest on this doctrinal foundation, we can see…the resulting turmoil.”
Like other thinkers and figures of the time, d’Alzon recognized that the disenchantment of the world caused profound disorder. His solution to this was to “proclaim everywhere in the world the rights of God, of Jesus Christ and of his Church.” To do this, the Assumptionists had to focus on education in all its forms. Elsewhere, d’Alzon had written that “humanity needs to be taught, but first we need to give humanity a heart of flesh, as Scripture says, to replace the one becoming like stone in its chest.”
I open with d’Alzon for two reasons. First, I am indebted to the Assumptionists and d’Alzonian thinking; I was educated by the Assumptionists at Assumption College in Massachusetts, now Assumption University, and briefly considered a vocation to the congregation. Secondly, I believe his observations on the turmoil of the modern period have much to teach both intellectuals and artists.
D’Alzon can help us approach art because art, good and bad, has an educative dimension to it, particularly a moral one. To demonstrate this, I’d like to take a moment to compare him to T.S. Eliot. In Religion and Literature, Eliot observes that modern literature seems to express “no higher ideal to set before us than [absolute liberty].” It has been “corrupted by…Secularism, that it is simply unaware of, simply cannot understand the meaning of, the primacy of the supernatural over the natural life.” If we are exposed to this and do not think seriously about what we are reading, then, Eliot says, we will receive an improper formation, one that puts us at odds with the Truth. Emmanuel d’Alzon would likely agree with Eliot and has, in fact, used artistic language to talk about the seriousness of human formation. He has noted that the soul is “like a block of marble” that like the sculptor’s block can be chipped away meticulously until it becomes a work of art.
A good example of a novel that can shape the reader and demonstrate where we moderns have become unmoored is G.K. Chesterton’s 1904 novel, The Napoleon of Notting Hill. In the aforementioned essay, Eliot identifies Chesterton as a propagandist, used in its original sense to mean propagation of the faith. But despite its rather overt sensibility, the novel works quite well for my purposes.
It’s apt to describe The Napoleon of Notting Hill as a story about education and ideas – in particular, the Christian idea.
Before the novel – which is set 80 years after its publication date – begins in earnest, Chesterton’s introductory note runs through a litany of modern “prophets,” each of whom has offered a particular vision of what the future might look like – from H.G. Wells saying “science would take charge of the future” to Edward Carpenter’s assertion that “we should in a very short time return to Nature, and live simply and slowly as the animals do.” These are all attempts at what Eric Voegelin called “immanentizing the Eschaton.” [Editor’s Note: From A New Science of Politics, Eric Voegelin, 1952: “The problem of an eidos in history, hence, arises only when a Christian transcendental fulfillment becomes immanentized. Such an immanentist hypostasis of the eschaton, however, is a theoretical fallacy.” The term “immanentizing the Eschaton” would become a satirical way of describing utopian thinking.]
That so many people would strive for utopian solutions makes sense, because, like d’Alzon, Chesterton would have encountered similar disordered thinking. Ideas take root and spread. All these “prophets,” having jettisoned God, still needed to find ultimate meaning, in the form of capital-s Science or something else. But the order of things cannot be separated from God, and human life cannot be reduced to a series of predictions and numbers. Reality is deeper than ideological fads, and life is not a series of “cold mechanic happenings,” to quote from Chesterton’s poem he includes as an epigraph. Instead, it’s all bound by joy.
The novel opens in a London “almost exactly like what it is now.” Chesterton’s third-person narrator tells us that the people of this time have “absolutely lost faith in revolutions” and instead have accepted “Evolution,” in the sense that any changes must be done “slowly and safely,” as in nature. This flattening of the human spirit had resulted in the death of democracy, because “no one minded the governing class governing.” England, seemingly a world-bestriding colossus, because it seems to have conquered Athens, Jerusalem, and Nicaragua, was “now practically a despotism, but not a hereditary one.” The narrator tells us that “someone in the official class was made king.” The passive voice there suggests the passivity of the population, and indeed, in the next sentence, the narrator says that “no one cared how; no one cared who.” We then learn that, unsurprisingly, “everything…had become mechanical.”
Into this comes Auberon Quin, a comic figure whom the narrator describes as godson of “the King of the Fairies.” Apparatchiks of the regime arrive at Quin’s house and, to the shock of the people present, announce that he has been named king. Later that day, King Auberon makes a humorous speech in which he announces his desire to save “from extinction a few old English customs.” He suggests a form of local patriotism, in which each borough of London “shall immediately build a city wall with gates to be closed at sunset.” These places will be “armed to the teeth” and will “have a banner, a coat of arms, and, if convenient, a gathering cry.” Intellectuals turn “purple with laughter,” while others are “purple with indignation.” Most have their “minds a blank.” But not one Adam Wayne, who is there watching with “burning blue eyes.” He takes Quin very seriously.
It makes sense that Wayne would take Quin seriously. A mechanized, flat world is an inhuman world. People float through it like seaweed in the deep, because they have been given nothing to believe in. This is a world that isn’t foreign to us, but nor was it foreign to Chesterton or d’Alzon. The latter, in discussing his vocation to the priesthood – he founded the Assumptionists and became a religious later – observed that France had become a “decrepit machine.” Because it was “dangerous to try to repair,” he reasoned that the best approach would be to become a priest and press on the culture “with all the weight of the rights it had no authority to give.”
For d’Alzon, humanity is “deeply wounded” by “indifference and ignorance,” both of which “imply a total lack of faith.” His solution to this, as was mentioned, was to provide a serious education, one that would “penetrate” the world with “the Christian idea.” It would otherwise be in danger of collapsing. D’Alzon’s description of France and of his vocation should remind us of what Chesterton says about England in The Napoleon of Notting Hill. There are striking similarities of language: machine, indifference, a loss of faith.
Another point of comparison: the reactions to d’Alzon’s decision to become a priest mirrored the reactions to Quin’s speech. He was from an aristocratic family. People were shocked that, as they saw it, he would renounce his inheritance to become a priest. In an 1830 letter, D’Alzon had chided a friend for not wanting “at all to be reasonable,” going as far to say, “I scare you in a priest’s robe.” In the same letter, he offers his thoughts on the state of France. In addition to describing France as a “decrepit machine,” he observed that “sovereignty did not exist any more in the Palais Bourbon than at the Tuileries.” This was a “society that was so sick, one could have influence only in separating oneself completely.”
The England of the novel is also a sick society and one that truly lacks sovereignty. In effect, Quin is providing a kind of education. The fact that he views things as a joke fits his character as a “Fairy.” But fairy tales themselves – and Chesterton wants to link The Napoleon of Notting Hill to the fairy tale tradition – discuss very serious things. In his essay “Fairy Tales,” [Editor’s Note: Included in his 1908 book, All Things Considered], Chesterton points out that “if you really read the fairy-tales, you will observe that one idea runs from one end of them to the other—the idea that peace and happiness can only exist on some condition. This idea, which is the core of ethics, is the core of the nursery-tales.” He closes the essay by observing that fairy tales find “the great mystical basis for all Commandments.”
Quin’s speech, then, awoke something in Adam Wayne. To use d’Alzonian and scriptural language, you could say that Quin replaced Wayne’s heart of stone with one of flesh. And because his kingship sets off the events of The Napoleon of Notting Hill –Wayne decides to lead a rebellion, and this inspires others – we might say that Quin has effectively brought about a re-enchantment of the world. Indeed, Wayne says as much, both at the beginning of the novel and at its end. He says Quin has given him a desire to “fight for something greater,” noting that “this leadership and liberty of Notting Hill is a gift from your Majesty.” Wayne has been reminded that the purpose of human life is, as Pope Emeritus Benedict has noted,” is one of “greatness.” And he thus sees that there is a “mystical basis for all Commandments.” Now fully awakened, he believes these things are worth fighting for.
Adam Wayne was taken up by this idea of Quin’s, and it reshaped the world as it is. He brings it from a mechanized, empty flatness to “fairyland” and “elfland.” It leads to a re-enchantment and, à la d’Alzon, reorders the being of the world.
By the end of the story, it’s clear that both Wayne and Quin function as a dual symbol of “fairyland,” which, as Chesterton observes in “Fairy Tales,” is “a world at once of wonder and of war.” Wayne remarks that he and Quin “are not two men but one man.” He continues, and his remarks are worth quoting at length:
It is not merely that you, the humorist, have been in these dark days stripped of the joy of gravity. It is not merely that I, the fanatic, have had to grope without humour. It is that though we seem to be opposite in everything, we have been opposite like man and woman aiming at the same moment at the same practical thing. We are the father and mother of the Charter of the Cities.
In effect, he is saying that the complete picture of the created order is a place “of wonder and war.” This is the full picture of human life. Quin and Wayne broke the mechanized imposter that, demiurge-like, was posing as the created order and made things real again.
How, then, does The Napoleon of Notting Hill educate the reader, both then and in the present? Chesterton deliberately sets the novel in a London not far removed from the one of 1904 and peppers it with real places, in addition to references to real people. The reader from 1904 would then be able to recognize his world in the text. Then, if he is attentive, he would start to ask questions: are things detached and mechanized? Where do we find meaning today? What is the cause and purpose of my life? Am I ordering my life toward good and appropriate things? And so on. We do have a real-life example of this. According to Dale Ahlquist, president of the Society of G.K. Chesterton, Michael Collins, the Irish revolutionary, was inspired by the novel to seek Irish independence.
But despite its references to early 20th century things, this is not a novel that is time-locked. We can read it and still be edified; the problems discussed by d’Alzon, Eliot, and Chesterton have persisted.
Consider Quin’s reflection during Adam Wayne’s initial audience with him at the beginning of the novel. He says that “the whole world is mad, but Adam Wayne and me.” This madness consists of being obsessive about politics, caring for money, and thinking yourself right. These of course are perennial human concerns, but then Quin gets specific. He accuses people of trying to “spoil my joke, and bully me out of it, by becoming more and more modern, more and more practical, more and more bustling and rational.” This joke-spoiling and bullying has of course accelerated greatly since Chesterton’s time – leading to confusion and unhappiness, and eventually maybe even destruction.
As the American Catholic novelist Flannery O’Connor once observed in Mystery and Manners: Occasional Prose, “in the absence of this faith now, we govern by tenderness.” She continues: “It is a tenderness which, long cut off from the person of Christ, is wrapped in theory. When tenderness is detached from the source of tenderness, its logical outcome is terror. It ends in forced-labor camps and in the fumes of the gas chamber.”
We can objectively call this true. The 20th century was one of theories, each of which, like Chesterton’s prophets, attempted to bring about utopia, but instead led to millions and millions of deaths. But this confusion has persisted. As Walker Percy observed inhis posthumously-published Lost in the Cosmos: The Last Self-Help Book, ours is a “deranged age…because despite great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.”
In 2017, in an essay for Crux on both d’Alzon and education, I pointed out that the Department of Education lists its purpose as “foster[ing] student achievement” and “preparation for global competitiveness.” I observed that we tend to see education as a means to an end, not as an end in itself. Seven years on, the US Department of Education still lists its purpose as “preparation for global competitiveness.” Then, as now, these are buzzwords, but they also tell us something about how we view education: a mere means to an end, a way to place people into a culture with only the basest of aspirations. When we are taught that there are no higher things, we will be led to believe that life is a mechanized existence, as described by both Chesterton and d’Alzon.
In a way, it’s all more of the same. Various techno-utopians have proposed that the solution to the human condition is to place us in a “metaverse,” where we’d live our lives in virtual reality. In City Journal, Jacob Howland has detailed the “destruction” of the University of Tulsa, where he holds emeritus status. Entire programs were eliminated or consolidated into minors: Greek, Latin, philosophy, religion. This, he pointed out, will result in students who are “credentialed, but…not…educated.” Sadly, his university is not unique.
But what are the results of this? A profound sense of malaise, particularly among the young.
Perhaps reading The Napoleon of Notting Hill – and having a good teacher discuss the novel with students – might provide a way forward for students who are feeling stifled by our deranged age. It would show them that the ideas that undergird our modern culture are ones that flatten the human spirit. They would not have to become revolutionaries or leaders of statelet neighborhoods, like Michael Collins or Adam Wayne, but perhaps they could be awakened to the idea that there is something profound about human existence. This is the purpose of good art and literature–to show people that there is a higher ideal than Eliot’s “absolute liberty” – because absolute liberty is little more than nihilism.
I can speak to this. I felt a sense of aimlessness when I’d finished high school, with vague ideas about becoming a doctor or a politician, but then, while at Assumption, I received two gifts, which cannot be separated: the Catholic faith, which I reverted to as a student, and liberal education. My professors – although not trickers or jokesters! – were my Quins. They awakened something in me and gave my life a telos. I don’t think it’s an accident that liberal education is often deemed a kind of lunacy. Quin and Wayne were seen as lunatics, but Auberon Quin notes that “the whole world is mad, but Adam Wayne and me.” I am thankful that I pursued this “madness,” and was given access to the truth.
An education that featured books like The Napoleon of Notting Hill would send readers and students on a search, resulting in a deeper engagement with tradition, and helping settle the turmoil of our age. It might help sweep away the sadness and hopelessness that plague so many people today, by reminding us that the world is enchanted, and guiding us along “the starry streets that point to God.”
Adam ran his hand over his balding scalp. The dunes shimmered all around – expectant, empty of any movement except his, although he knew rare beetles trundled through rough grass, and he could hear toads, chirring contentedly somewhere amongst orchids and buckthorn. He couldn’t see the sea from here, but it would be far out at this time, perhaps exposing the ribs of the Sprite, which had foundered here fatally in 1888.
A track wended up a slope surmounted by wind-tortured hawthorns and a World War Two pillbox – an outsized armoured helm in lichened concrete. This had always been a watchful coast, wary of invaders or worried by water, fearing one day it might break through to complete the drowning of Doggerland. There were times – more and more often – when Adam remembered the world’s hugeness, and hardness. Its terrible hardness…
He sighed, and sweated up the slope. Bone-weary though he was, his eyes were darting everywhere. He had tofind it. Had to. It would be his first. It would be his last. It would crown the day, this year – in fact, his nature-watching life. And it would be the perfect sign-off for this place, which he’d soon be leaving for good.
Angela had loved it here. So many days here with her, sharing the exultance of seeing some creature that according to the textbooks shouldn’t be there at all, some visitant magically manifesting thousands of miles outside its accustomed range. Once, when lying beside her under bushes, watching a vagrant warbler almost never recorded outside Central America, she had breathed just audibly, “It’s like a miracle!”
So it was – although there was also sadness surrounding such wanderers, so far from home, never to return, fated to end among unfamiliar dangers, trembling in unaccustomed cold, calling out plaintively into unanswering air for flock or mate.
Birds had been Angela’s passion – house-sparrows as much as any exotic warblers. She had never taken any species for granted since reading as a girl about the passenger pigeon. They had even given their daughter the name of Martha, in honour of the elderly endling which had fallen to the floor in Cincinnati Zoo in 1914, the last representative of flocks which had once broken branches by sheer weight of superabundance. On that proud day at the font in sunlit St Michael’s, with smiling family all round, they had never considered their choice might be so portentous…
Adam was more interested in insects. They had fascinated him since he was four, after a hoverfly had alighted on his outstretched hand like a benediction, a gold-and-black bejewelled being gracing his hand in a God-ray of sunshine slanting through trees.
He had lived insects and arachnids since, keeping ants and stick-insects, rearing moths, watching Attenborough, reading books like The Life of the Spider and The Soul of the White Ant, habitually turning over stones and rotten logs – in incessant search of insect lives, their meanings, their secrets, their symbolism.
Medieval illuminators had made minibeasts into miniature marginalia, and philosophers had seen them as metaphors of society and statecraft. The bee-kings that became queens as science advanced – the toiling workers so infinitesimal in themselves, but whose united efforts brought strength and sweetness to the world. Adam owned a small 1660s still-life, an anniversary present from Angela – a Delft bowl of apples, grapes, pears, and pomegranates, festooned with delicate butterflies – a Golden Age representation of Earth’s bountiful interconnectedness. Insects intersected with everyone everywhere always; their fall would also be ours.
He had become an academic, a writer of papers and addresser of conferences, a campaigner and charity trustee – so often dull and dry work, filled with frustrations, but energised always by that childhood encounter, and then the prospect of the whole planet losing its pollinators – losing its life. Losing its soul.
Whenever things got bad, there was balm in the multi-legged multiverse that began outside his back door. He would switch off machines and go into the garden – there to lose himself in the polished elegance of earwigs, watch whirligigs writing in an unknown language across the pond, or look into the compound eyes of bee-flies and wish he could see the world their way. Invertebrates had more sense than some vertebrates. Their unflagging energy was humbling as well as inspiring, an example of courage to him and to everyone – how they would resurge after every reverse, like bees building each spring, or Robert the Bruce’s spider in the cave. Insects had seen dinosaurs pass; woodlice would probably see us out.
He interested himself intimately in insects’ activities, intervening like a god when provoked by some miniscule plight. Even today, with his mind filled with his quest, he stooped to move a burnet moth caterpillar from a bare sandy tract that from its perspective must have seemed miles wide, and placed it on the sappy stem of a ragwort. Caterpillars found out in the open were often dying, he knew, driven insane by parasites eating them inside. But maybe this one might just make it. And anyway, it was indecent to leave a helpless creature – just as sick people deserved treatment, at whatever cost, and however distant the chances of success. However futile, even – however blackly written in the book of mitochondrial heredity.
An emperor dragonfly angled electrically into view, and he watched it zigzag away like an escaped ampere – a spectacular insect, whose even larger ancestors once darted over drowned Doggerland. Land and sea so often seemed interchangeable along this littoral, confusing even the animals. He sometimes found insect-falls along the advancing edge of the sea – ants, devil’s coach-horses, ladybirds – tiny fragments of feeling kicking their legs helplessly or crawling desperately away from the water at the salt end of all things, pitifully paralleling the great human-falls of history. He always lofted as many as he could away to safety, although aware he was making little difference, and that all safety was at best a postponement. Under every summer beachscape lay freezing physical forces, under sun-warmed wavetops a constant churning of cold deeps, and under the fine sand sliding earth plates, all part of the constant longshore drift of life into detritus.
As Adam aged and ailed, some of his students joked that he looked like a late-summer lepidopteran. Mr Mothman, they called him – an upright and ugly imago. His skin grew dry, thin and chitinous, and his bones increasingly prominent, as if he was turning inside out, developing an exoskeleton. But why shouldn’t his softness hide inside? Life had so often shown him need of a carapace.
How he wished Angela could have been here today, of all days.
Late yesterday evening, when Adam had been reading a local nature blog, he briefly stopped breathing. Just a few casual words, written by a local nature-guide, mentioning that a Camberwell Beauty had been seen the previous day. It was the most wonderful of shocks. A Camberwell Beauty!
For much of his life, Nymphalis antiopa had been flitting through Adam’s imagination – an apparition flapping always in front, just out of reach. He couldn’t remember a time when he hadn’t known of the butterfly’s existence. But then his first home had been on Coldharbour Lane, where the butterfly was first recorded in 1748, by a man named Moses Harris, who called it ‘Grand Surprise’ to register his astonishment at its size and striking appearance – richly maroon wings, with blue dots and creamy yellow fringe, and powerful un-butterflyish flight.
It had stuck out even in Moses Harris’s still semi-rural, semi-magical London, with Camberwell still famous for fruit growing, and Peckham Rye nearby, where Blake would soon see angels in the elms. Science itself was still in a state of wide-eyed and wondering innocence, where each day brought discoveries which could still be attributed to God’s benevolent grace, and clustering new species were named after characters from Greek myth. There had been many Antiopes in Attica, but Adam was sure the Beauty must have been named after the daughter of Aeolus, or the consort of Helios, or maybe in honour of both, seeing that the creature was the most perfect union of air and light.
The boldness of the Beauty had clearly compelled Harris, who as well as being an entomologist, had also been an engraver and theorist of colour. Adam had sensed the other man’s aesthetic and aurelian excitement across the gulf of years – although for Adam excitement had always been mixed with melancholy, because the Beauty hadn’t been seen in Camberwell since the early twentieth century.
Others people had noticed, and mourned the butterfly’s absence. It had been referenced in literature and music, and there was a huge mosaic of one on a building in Burgess Park, moved there in 1982 from a demolished 1920s printworks, which had used the already rare butterfly as emblematic of their expertise. Adam remembered the mosaic in its prominent original location, and being told that the Luftwaffe had ironically used it as a navigation aid for raids.
But Adam felt the insect’s absence almost physically – felt it like a folk-memory of destroyed wildness, felt it like the pains amputees imagine in absent limbs. He almost envied the long-dead who had glimpsed the Beauty in habitats like those he had known – battening in Brixton back-gardens or fluttering up Forest Hill, or beating between the Hammer Horror monuments of Nunhead Cemetery, a Gothic shade among the white angels and the ivied urns – the Germans’ name Trauermantel (‘mourning cloak’) so suitable in that context, so redolent of the insect’s elusiveness, and adjacency to extinction.
Nymphalis was quite common elsewhere; Adam had even seen a subspecies in Sweden. But it was surrounded with special significance for him and all English lepidopterists, including the Edwardians who were the last to see it in London. Those Edwardians, with which Camberwell always seemed synonymous – those bicycle-clipped, moustached City clerks, with their copies of Illustrated London News, and Elgar on wax cylinders – so often seemed frozen in photos, fixed in period the way old collections of coleoptera were pinned to museum boards. But they had been wonderfully alive in at least one respect – to have had even an outside chance of seeing Beauties in their rose-gardens, flying in from some other realm to enrich their Arts and Crafts universe.
The Camberwell Adam had known as a child, then heard about as an adult – an anthill without purpose, a place of bad air, cars, crime, and riots – had seemed daily less likely to throw up Beauties. So now, one had kindly come to him, was waiting for him, possibly just over this hill – his personal ‘Grand Surprise’ sipping the sap of a willow, or winging royally across rabbit-nibbled clearings, the ultimate prize for hours of exertion on the hottest day of the year, the culmination of a life’s longing. This was circularity. It felt a little like – destiny.
How could it have come? Some came over the sea in some years, but very few, and never this far north. There were theories about pupae carried in cargoes of Scandinavian timber. There were also rare private rewilders, eccentrics or idealists who raised and released animals they felt ‘belonged’, animals which had a moral right to be in particular places. Aged eight, Adam had met one, the famous Leonard Newman, who had signed Adam’s copy of Complete British Butterflies in Colour – a book outdated even then, but still on Adam’s shelves. Newman had reared thousands of Beauties and let them fly in Kent one hopeful spring, then waited…and waited…and given up.
Adam knew why Newman had done this; skies that had known the Beauty must one day know it again. But he wanted to think this specimen had somehow made its own way here, acting on some unknown impulse, linking his early life with his late – bringing old London to modern Lincolnshire. It would be kismet – completion – closure.
He had sometimes worried that if he ever caught up with the Beauty it might feel like an anti-climax. Species ticked off lists were like sports trophies – wholly inadequate, tinny mementos of a very different day, a different outlook, whole other worlds of happiness and health. And this just wasn’t any species. The Beauty dwelled by itself. It had flown in front of him for so long that finding one might feel more like losing something. But if this was a risk, it was one he had to take. What else would he do? What else could he do? It was his nature. Angela would have understood – and Martha.
He fantasised hotly, the sun boiling the reddened skin of his scalp. There might be more than one. A venturesome individual might be the vanguard of a viable colony. Could this bold outrider be a scout – the crest of a climate-adapting wave, coping with change by expanding range? He knew, in truth, this was a fancy too far; the Beauty liked cooler climates. But somehow, somewhere among all this global destruction and private desolation, some species must find a way forward, lead a rebirth and recolouring of the cosmos. How wonderful it would be if at least a few beautiful things could defy the world’s contagion…Was that too much to ask? There was so much loss, so much waste and death…
He stopped to get breath, and looked up, to see the sun well on its way to the west. There weren’t many hours left. There were never enough. There was never enough time for anything. Angela and Jane were also now flying in front… He pushed on through trees and across a wide wasteland, while a large butterfly on the highest branch imperiously flared indigo wings, and indifferently watched him pass.
DEREK TURNER is the editor of The Brazen Head, as well as a novelist (A Modern Journey, Displacement, and Sea Changes) and reviewer. His first non-fiction book, Edge of England: Landfall in Lincolnshire, was published June 2022. Some of his writing may be found at www.derek-turner.com He is also on Twitter – @derekturner1964
Humani Victus Instrumenta – Ars Coquinaria. 1570s engraving
The Mirror
Tim Bragg, Sycamore Dystopia, 2023, pb., 292pps., £10
DEREK TURNER peers into a possible future
Ever since the ancients invented automata, writers have wondered about the implications for humanity, and ruminated about the nature of consciousness. The Industrial Revolution would spawn increasing concern about subservience to machines and “Satanic mills.” The Great War and then Karel Čapek’s 1920 play R.U.R. (from which we get the word ‘robot, based on a Czech word, robota, meaning ‘forced labour’) made many people anxious about out-of-control technology – a theme revisited every generation since, as seen for example in the 1984 action classic, Terminator. Today, the growing sophistication of artificial intelligence has turned a trope into a cliché, the subject of articles, books and documentaries which often really tell us more about contemporary concerns than they do about possible futures. Musician-novelist Tim Bragg’s newest book is therefore in a certain idealist-nostalgic-pessimistic vein; this does not mean it is not distinctive or worthwhile.
As in Orwell’s Oceania, or the pages of Fahrenheit 451, the world of The Mirror is a surveillance society, where the state strives to control thought. Like Bladerunner, there are huge and ugly megalopolises, and androids, and people who might be androids. Like Logan’s Run (film version), there is a mysterious and romanticised threshold that must be crossed. As in The Handmaid’s Tale, the authorities limit fertility. Like The Matrix, almost nothing is what it seems. As in many dystopias, there is an unjust government with a privileged ‘Inner Party,’ sinister secrets, ecological impoverishment, and bleak living conditions for the lowest echelons – and of course ‘red-pilled’ rebels seeking to upturn the system. This highly literate author imbues all these obvious influences with ideas of his own.
He brings the genre up to (future) date, setting his story in 2073, and reflecting upon today’s worries about self-image, the control of data, the time we spend online, the cashless society, the food we eat (insects bulk large in The Mirror’s meals), and the erasure of the past. Every citizen wears a ‘mirror’ device, which delivers a limited range of computer-generated entertainment and information, but most importantly allows the authorities to monitor the population. Emotions and sensations are all suspect – except those provided by pills or virtual reality, from ‘conversations’ with ancestors to sexual intercourse. There seem to be no local or national identities, or even any kind of economy.
The pivotal relationship is between two girls, Mia and Karella, who are arriving at physical and sexual maturity; there seems to be no ‘transgenderism’ in The Mirror world (which is plausible, as those who are so exercised by this today will have exited the scene by 2073). Both characters are well thought-through, and nuanced. Bragg’s emphasis on youthful female sexuality however feels slightly discomfiting, even though of course novelists must always be permitted to imagine themselves in guises or roles other than their own. It is however germane to this story, because both girls are being exploited by a highly intrusive state, with Karella the subject of life-long transhumanist experiments, and Mia being viewed as a brood-mare for a eugenics programme. Their every emotion is parsed for psychological significance, and there are constant interventions – for example a dogged therapeutic insistence on treating Mia’s phobia about swimming (a happy intervention, because her instilled ability to swim matters greatly later).
Like everyone else, Mia and Karella are under the purview of a panoptical ‘Hub,’ and an elite organisation called Earthly Living Kingdom (ELK). Mia’s own mother is an ELK Guardian, a senior operative of a group whose sinister plans become increasingly apparent, and the mother-daughter relationship is consequently complex. Mia’s father is absent – or is he?
There are menacing ELK operatives, partly countervailed by a sub-world of gathering rebellion, led by Ned, an IT expert who convenes a secret cell to keep alive fast-fading arts – in effect, the authentic human spirit, at risk from rationalist thinking, cultural coarsening, and technological reductionism. Mia finds especial inspiration and solace in the music of Bach, which although available through approved channels, has fallen into desuetude. In 2073, those who wish to hear such antediluvian sounds risk seeming at best eccentric – and at worst, refuseniks in ‘need’ of pharmaceutical intervention, or biotechnological ‘rebooting.’ Bragg has clearly thought a great deal about the psychological benefits of music for everyone in all ages, here showing synaesthesia as a means of inner escape from one-dimensional mundanity.
The ‘biohacker’ artist Neil Harbisson, by Hector Adalid. Wikimedia Commons
He handles generally well one of the perennial problems of dystopian literature – accustoming readers to invented concepts and specially coined terminology without interrupting the narrative with long screeds of explication. He has tried hard to come up with new idioms. French phrases are unexpectedly widely used. Anglo-Saxon expletives however appear to have gone out of vogue, to be replaced with what seem now insipid new terms of emphasis (“sparking uterus”), which seems an unlikely eventuality – but maybe this symbolises his surmised society’s distance from earthy realism. Some are more believable, such as “abundant” to express enthusiasm. There is admirable restraint and wit in the conversations between the human protagonists and the Rai robots who do much of the work (and are constantly being ‘improved’ by technologists and theorists obsessed with ‘migrating’ consciousness from human to machine, and even more worryingly back again).
The Mirror is a deeply well-intentioned book, and what is even more important, sensitively intelligent – a worthy reflection on issues which are swiftly becoming salient, and which seem certain to become even more so.
DEREK TURNER is the editor of The Brazen Head, as well as a novelist (A Modern Journey, Displacement, and Sea Changes) and reviewer. His first non-fiction book, Edge of England: Landfall in Lincolnshire, was published June 2022. Some of his writing may be found at www.derek-turner.com He is also on Twitter – @derekturner1964
Alex Kurtagic, London: Spradabach, 2023, hb., 997pps.
DEREK TURNER finds mordant fun in a tale of modern alienation
In 2009, Alex Kurtagic published Mister, his novel of a highly-cultured IT consultant operating within what he saw as the hellscape of contemporary Europe – a man too intelligent for an age suspicious of intellectual distinctions, and too independent-minded for a continent in thrall to neurotic pettifoggery. In Angel, we meet a similarly misfitting man, but one with even less adaptive ability – indeed, a man almost without agency. This is a behemoth of a book about a midget of a man, wandering solitarily in the drab wasteland of these times.
Angel is a student of 17th Century literature at an English university, whose unhappy fate it is to combine refined tastes and fastidiousness with an inability to impose these on even his immediate surroundings. He is physically slight and correspondingly cowardly, chronically short of money, and not even compensatingly articulate. Traditionally, angels enunciate glad tidings, but this one (aspiring poet though he may be) can barely sustain a basic conversation. He is announced to, rather than an annunciator. His most obvious resemblance to Biblical or Hebrew angels lies in his essential insubstantiality.
Angel is surrounded by people infinitely more impressive than he is – especially women, from his formidable mother and sister, and brilliantly inductive fellow-students to the mothering Amelia who (for some incomprehensible reason) pants to enfold Angel in her ample embonpoint. He is an incel, but unlike some incels, not potentially dangerous. He is not even angry – although the debased nature of his university, and society, deserves almost unlimited contempt. Kurtagic’s front-cover oil of his Van Dyck-bearded subject excellently conveys the nervy nature of his character, his twitching worriedness and state of blinking surprise at the awfulness of almost everything.
We do not lose sympathy for Angel as the tale unfolds, because we never really develop any. Even if somehow we could, he would haemorrhage it with his every action, or more precisely inaction. It is only at the very end that we start to feel sorry for him, but we can never feel respect. He is epically inept and wholly dependent on others, unable to perform the simplest task without mishap. He gets a menial job, but can’t manage the hours. He is given expensive things, and loses them. He is given excellent advice, and makes no attempt to follow it. He gets blamed even for things that aren’t his fault – and we are neither surprised, nor particularly perturbed. The reason he has no money is that he burned through a generous grant from his wealthy and influential parents in pursuit of an American woman (Madison) so obviously unworthy that people who have never met her instantly smell the gold-digger.
Huge events unfold around him, which culminate in unexpectedly dramatic style, but he is so busy mooning about his love-interest (and feeling sorry for himself) that he misses all the portents. And yet this over-specialised evolutionary aberration ends up as one of his cohort’s rare survivors. His near-invisibility ensures that he is mercifully overlooked by the most malign influencers, except when he accidentally offends à la mode ‘activists’ of one kind or another. He does encounter real rebels, but (probably luckily for him) never capitalizes on these encounters, through distractedness or pusillanimity.
But if we cannot admire Angel, we can smile at some of his pratfalls and predicaments. The author’s mordant sense of humour is abundantly in evidence, as his protagonist lurches from one petty indignity to the next – building up debts, humiliations and resentments, borrowing money he can’t repay, exasperating his family, failing his few friends, irritating his tutors, losing all his clothes at the launderette (and all his illusions about Madison), and vomiting all over the fragrant front of the only woman in the world who wants anything to do with him. Angel’s phobias are Ruskinian in their rarefaction, as he registers disgust with bad table manners, dirt, drunkenness, earrings, oxter hair (on women), tobacco and tattoos.
This is however not just a novel of amusing incidents, but also of serious ideas. The author is a determined logophile, and even those with above-average vocabularies may encounter words that are new to them, or that they have forgotten. These pleasing encounters contrast with sometimes over-long staccato dialogue sections when Angel is trying to attract the attention of barmen or shopkeepers, or, yet again, failing to explain himself to his supposed intellectual peers.
Sophisticated sociopolitical arguments are seeded through this book – about sex differences, elitism, the nature and purpose of universities, and freedom of conscience – but none of these viewpoints are expressed by Angel, although we infer that he generally agrees with their conservative-reactionary tenor. There are shrewd observations of today’s cry-bully tendencies, with their manic oscillations between psychological extremes, attacks on easy Aunt Sally targets, and protesting-too-much parading – and excellent evocations of cityscapes in all their Bladerunner alienness, or broken-down decrepitude. Strewn names of books, films, and paintings betoken authorial wide interests, and the book’s production values hint at his awareness of the importance of aesthetics in shaping worlds. Kurtagic is certain there is such a thing as ‘good taste’, and that it is at root a moral choice. This is weighty literature, in more than just a physical sense.
We eventually leave Angel all alone, contemplating the ruins of all his hopes and with no obvious avenue of escape, with even his once-powerful parents implicated in his downfall. It is a desolate outcome indeed even to so inglorious an odyssey, and even for someone not obviously deserving of respect – because behind his seriocomic unfolding can be seen substantive insights into 21st century society, and in his deeply-grained disappointment something of ourselves.
This review first appeared in The Miskatonian (Home page – The Miskatonian) and is reproduced with permission
DEREK TURNER is the editor of The Brazen Head, as well as a novelist (A Modern Journey, Displacement, and Sea Changes) and reviewer. His first non-fiction book, Edge of England: Landfall in Lincolnshire, was published June 2022. Some of his writing may be found at www.derek-turner.com He is also on Twitter – @derekturner1964
GOMERY KIMBER introduces Justin Martello, “a new kind of hero”
‘No,’ I said.
Saul Ruzo opened the cell door.
‘Abandon all hope, ye who enter here,’ said Ruzo. ‘Strip.’
‘No.’
At knifepoint, Ruzo’s thugs stripped me naked and bundled me inside.
‘You like it, Martello?’ Ruzo asked. ‘I call it the torture cell. It’s based on a design by Alphonse Laurentic. You heard of him? He fought for the good guys in the Spanish Civil War. Only we’ve made a couple of improvements, bring it into the twenty-first century.’
‘American progress – where would the world be without it?’
Smirking, Ruzo slammed the door shut on my remark.
The torture cell.
It was impossible to rest. The concrete bed sloped at an angle of twenty degrees. It was impossible to sit comfortably on it either. And exercise was out of the question because the floor of the cell was an obstacle course of house bricks fixed haphazardly into concrete.
Painted on the cell walls were surrealistic patterns designed to disorientate the prisoner. The clock above the cell door ran either too slow or too fast, and there was no window, making it impossible to know whether it was night or day.
Air con and cameras were two of Ruzo’s improvements, the lighting effects also.
Sometimes the cell was tolerably warm, sometimes freezing, and sometimes so hot that the sweat ran down my bare legs. And at any moment, the space might be bathed in lurid green light, or pitch suddenly black, followed by strobe lights, daylight, dusk, dawn, then back again to green, or crimson, or puce.
And all the time the phantasmagoria was accompanied by repetitive music and noisy sound effects: death metal, advertising jingles, vicious dogs barking, babies screaming, women weeping. Over and over and over again.
‘It’s designed to send you crazy,’ Saul Ruzo confided when his men returned me to the chamber after the first mock execution.
And it had.
With a start, I opened my eyes and looked at my visitor.
‘Lieutenant Mbweha is very pleased with the progress you’ve made, Justin,’ said Piers Wyvern. ‘She says you might be well enough to be discharged in a day or two.’
I was seated in the uncomfortable armchair beside the hospital bed. Piers Wyvern glanced at me to gauge my reaction, but I was so full of sedatives that I barely reacted at all. I wondered where I would go, now that my house had been sold.
‘Pity about the rain,’ he said. ‘We might have had our picnic in the grounds.’
Piers opened the wicker basket that he’d brought to the military hospital where I was being held. He claimed he’d just returned from a week in Venice where he’d lost heavily at the casino but enjoyed some wonderful food. He was certainly plumper than the last time I’d seen him. His sandy hair was sun-bleached and his florid face tanned. He wore a reddish-brown suit, and not for the first time he put me in mind of a well-fed fox.
‘Still,’ he said, spreading out the picnic blanket on the hospital bed, ‘cosy little room they’ve given you. We can have a nice chat.’
I made an effort to stir myself.
‘Chat?’ I said. ‘About what?’
‘Why, the future, of course. Now, what would you say to a glass of wine?’
I didn’t respond. I sat slumped in the chair wearing military issue pyjamas and dressing gown feeling nothing at all, apart from the draught from the window. So far as I could see I had no future.
Piers removed the bottle of Gambellara from the wine cooler sleeve and poured two drinks. As I put my glass down on the wooden bedside locker, I spilled some wine. Piers produced a paper napkin and fussily mopped up the drops. He needn’t have bothered. The stained old locker was defaced with many a scratch and cigarette burn.
‘There’s roast beef with watercress and horseradish,’ said Piers, trying to tempt me. ‘And antipasto, kalamata olives – or one of these delicious miniature scotch eggs.’
His voice was thick with anticipation, for Piers was a greedy man, at his happiest when there was the prospect of not just three, but four meals a day.
‘Pour me some water,’ I said.
Reluctantly, Piers did so, from the two-litre plastic jug that stood on the locker. The medication made my mouth dry and I drained the plastic tumbler as soon as he handed it to me. Piers looked disappointed. I was spoiling a treat.
‘I don’t wish to appear rude,’ I said.
‘Not at all, Justin. They’ve got you doped, haven’t they? Silly of me. I thought you might be fed up with hospital fare, it’s always ghastly. But perhaps you’d have been happier with a bowl of clear soup and a soft bread roll.’
Disappointed, Piers popped one of the miniature scotch eggs into his mouth and devoured it with relish.
I looked away. Summer rain ran down the dirty windowpane, and outside in the gardens a gusty south wind whipped the rhododendrons. I didn’t care for Piers Wyvern, just as I didn’t care for the Royal Navy psychiatrist, Lieutenant Missy Mbweha. Before diagnosing me, she’d gone and fetched the official manual of psychiatric disorders and consulted it for some minutes before pronouncing her verdict.
‘Do you believe in ghosts?’ she’d asked at one point. The question had made me burst out laughing.
I looked at Piers. He was a confirmed materialist as well. As far as Wyvern was concerned, pleasure was the only thing of undoubted value, and it was around pleasure that he arranged his life. I watched as he decided what to devour next.
‘Won’t you have something?’
‘Have you been discussing my health with Mbweha, Piers?’
‘Of course not. Patient confidentiality, and all that,’ said Wyvern, looking up sharply from the delicacies. He softened his tone. ‘The thing is, everyone’s concerned about dear old Justin, who’s come through a very rough time, who in fact has had a rough old life, all told.’
‘A very rough time,’ I repeated. ‘A rough old life.’
‘Your parents and everything,’ explained Piers with great kindness. ‘That sort of traumatic event in childhood, it’s bound to affect one in later life.’
The comment angered me. I wasn’t ‘traumatised.’ So far as I could see, the psychiatric profession pathologised any deviation from ‘normality.’ The only people considered ‘normal’ were those who posed no threat to the possessors of power.
‘This has nothing to do with my parents’ murder, Piers.’
‘We just want what’s best for you,’ he went on, blithely. ‘I mean, you don’t want to be stuck in one of these places for the rest of your life, do you?’
So that was it. I suppose I would have realised sooner if I hadn’t been doped.
‘Yes, that’s what they told me, and I said I’d never heard of a military hospital of that name.’
‘Well, neither had I for that matter.’
‘It’s off the books.’
‘Now now,’ Piers chided me. ‘Don’t get upset. Why not try that wine? It’s Giovanni Menti.’
‘So, what is your plan for me?’ I asked.
‘We thought you might like to do us the occasional service,’ Wyvern said, choosing one of the roast beef sandwiches. ‘Nothing too onerous, and nothing that will trouble your conscience, either.’
He bit into the finger sandwich.
‘No.’
Hurriedly, Piers chewed so that he might respond. ‘There’s no need to decide right away. Have a think about it over the next few days.’
‘The answer is no, Piers.’
‘It will do you the power of good. The nine-to-five, there’s something to be said for it. Reason not to get hammered in the evening for one thing, or at lunchtime.’ With a smile, he raised his glass to me. It was a thin smile and not entirely pleasant. ‘Ordinary life, more or less, keeps one grounded.’
Mounting anger was rousing me from my sedation.
‘I flew too close to the sun, you mean.’
Piers regarded me sceptically.
‘I intend to speak of forms changed into new entities,’ he quoted.
Piers had no time for metaphysics, which was surprising given his ancestry (the Wyvern family had produced many an occultist and alchemist). I’d known him twenty years. As a green lieutenant, I’d been assigned to act as his bodyguard while on secret service in Iraq, and Piers had been delighted to learn I’d attended what he allowed was a fairly decent school and knew Latin and Greek.
I intend to speak of forms changed into new entities.
It was from Ovid, the opening line of The Metamorphoses. The poet’s unifying theme of transformation, I recalled, involved the hunter and the hunted, and more often than not, violence inflicted on the victim, as well.
‘Come home, Justin,’ Piers said. ‘All is forgiven.’
I was feeling emotional.
‘That’s right, drink your wine, there’s a good chap. Remember Thorne, your old Staff Sergeant? We thought he might act as liaison.’
I almost choked.
‘What do you mean? I run my own ship.’
Piers frowned. ‘Not any longer, I’m afraid,’ he said. ‘Theresa thought it better you step down. After all, it was only on an interim basis, wasn’t it? And you’re not really a businessman, are you?’
I took the comment personally. True, I wasn’t a businessman, but I was a leader, and it was on that basis that I’d agreed to run the Seton-Glennie operation.
‘Theresa spoke to you?’ I said.
‘Mrs Seton-Glennie did indeed speak to me, icily admittedly, but she told me she wanted you to step down. I’m sure you’ll speak to her, in due course.’
‘Get out.’
‘Steady, Justin, steady.’
‘Leave me alone, you bastard.’
‘Now that’s quite enough! Need I remind you I was the one who rode to the bloody rescue after you were shanghaied by Ruzo?’
‘Shanghaied?’ I repeated. ‘Abducted, you mean, from the most secure police station in London, Paddington Green. Do you really think I believe you people didn’t have a hand in it?’
We did not, asserted Piers, red in the face. Handing one of our own to the Yanks so that they could torment you? Absolute rubbish!’
I bit my lip and looked away. I was absolutely certain that the powers that be had indeed handed me over to Ruzo and his loathsome ‘gators, but saying so, even to my ears, sounded like paranoia.
Piers regarded me as though with great concern.
‘Justin,’ he said softly, ‘you’re my friend and I have your best interests at heart. What has to be has to be. You’ll come back to work for us, and that’s that.’
‘Never.’
Wyvern was about to remonstrate but when he saw the murderous look on my face he decided that discretion was the better part of valour. I watched the smooth-talking cynic struggle to stand.
‘I shall leave the picnic,’ he said, breathing hard, ‘for you to enjoy. Goodbye, Justin.’
After Wyvern left, it took me some time to calm down, and by then I was hungry. I stood up unsteadily and examined the picnic hamper. Amongst the food I discovered presents – Italian coffee and biscuits, a pack of Marlboro cigarettes (the brand we’d smoked in Iraq), a lighter, and a little box of Baci chocolates. On the back of a picture postcard Piers had written in his florid hand: ‘Dear Justin, trusting you’ll be on parade again very soon, much love from your DQ.’
DQ, Delta Quebec. That had been Wyvern’s call-sign in Baghdad, until the Americans learnt what DQ referred to, that is.
I turned the postcard over and looked at the picture, not surprised to see the Botticelli self-portrait. When Piers first saw me in shorts he told me I had ‘Botticelli legs.’
Rejecting the nostalgia and the feeling I’d behaved discourteously to an old friend, I flicked the postcard aside, and helped myself to a sandwich.
That was when I discovered the phone, in amongst the food. It was of a special design, the kind issued to MI6 officers in the field overseas. It contained only one contact number: Thorne’s.
There was something else – my passport. But when I opened it I discovered it had been stamped ‘WITHDRAWN’ in red ink and the top corners of the pages clipped off. I supposed it meant I’d be working for 6 in the UK, MI5 territory, and therefore supposedly forbidden. I swallowed the food in my mouth, but without appetite.
I remembered the time when I had dominated life, but for some time now life had been dominating me.
Cutting the grass.
That was the phrase Saul Ruzo had used.
‘You got above your station, Martello, you need to be reminded who’s boss. You loused up my operation, Operation Eagle’s Nest! Well, now you’re gonna pay.’
Hands trembling, I cleared the picnic away, got into bed and tried to go back to sleep.
GOMERY KIMBER’s novel London Lies Bleeding, the first in a trilogy featuring Justin Martello, is published on Amazon on 22nd December. A free review copy can be downloaded here, or the book can be purchased here. Martello returns in Assassin of London at the end of February 2024. The third book of the trilogy, Live Not By Lies, is in the planning stage
BENJAMIN AFER outlines an extraordinarily prolific and versatile author
Some weeks ago, I was offered a small commission by a respectable new journal to contribute a few thousand words on Marcel Proust’s À la recherche du temps perdu, but reluctantly deferred owing to considerable concern that a short essay composed under the duress of manic end-of-year busyness would result an inadequate treatment of such a monumental work. But when I was offered some column inches in this journal on the subject of Anthony Burgess, I accepted without hesitation. After all, Burgess has long been one of my most-admired authors, and I have more than a casual familiarity with his work, having read and re-read a good deal of his fiction many times over.
This cheerful attitude quickly fell into a tense anxiety when I realised, sitting down to write, that the great scope of Burgess’s œuvre would make this a more complicated and technically demanding matter than any essay on Proust. For even if Marcel still has Anthony pipped on word-count (and that’s not entirely certain), the latter’s ability to write masterful works in so many genres, in so many different styles, on endlessly varying subjects, in both fiction, non-fiction, symphonic music and poetry means that there is ample material for several lifetimes worth of Burgess-study. Both authors can be poked in the ribs, so to speak, with that infamous jibe given by a member of the royal family upon the presentation of yet another volume of Decline and Fall – “Another damn’d thick, square book! Always scribble, scribble, scribble! Eh, Mr. Gibbon?”
Even Burgess’s socially mobile origin story is so uniquely mid-century that it requires hefty contextual explanation, and the subsequent biographical aspects seem to go on twisting and turning forever. We have Burgess the precocious Catholic schoolboy, Burgess the soldier, Burgess the lover, Burgess the adulterous scoundrel, Burgess the schoolmaster, Burgess the august television intellectual, Burgess the tax-dodging expatriate, Burgess the linguist, Burgess the Joyce expert, Burgess the librettist, Burgess the avant-garde composer, satirist and poet. At least Proust remained mercifully confined to his bed, doing little else but huffing Escouflaire [Ed. Anti-asthmatic medicines] and “scribble, scribble scribble.”
Indeed, this systematic under-appreciation of Anthony Burgess seems to be less a consequence of any mediocrity on his part and more a consequence of sheer befuddlement on the part of lazy critics, academics, and other taste-making ne’er-do-wells. There is no adjectival hole into which the man or his work can be easily pigeoned. As G.K. Chesterton said of the Christian ideal, Burgess has not been tried and found wanting. He has been found difficult, and left untried.
John Burgess Wilson (later confirmed into the Catholic Church with the middle name Anthony) was born in Manchester, in February 1917. His mother, Elizabeth Burgess, died less than two years later of the Spanish Flu, and his father Joseph took up with Margaret Dwyer, the landlady of the pub in which he played the piano as an evening job. Though Joseph Wilson was by trade a shopkeeper dealing mainly in tobacco and alcohol (which kept the family out of poverty during the long depression years – “the poor always found money to drink”) Burgess always recalled his father as a frustrated composer, skilled enough to play all the favourite pub tunes and provide spontaneous accompaniment to silent films in the local picture house, but otherwise an archetypical mute inglorious. His self-description was always that of a composer who wrote books rather than a writer who dabbled in music.
Despite his father’s apparent gifts, Burgess remained ignorant to music as a whole until hearing a prelude by Debussy on his home-built radio. The attitude among lower-middle class Mancunians of the interwar years, both at home and at the Xaverian College to which the bookish young man had earned a scholarship, held against teaching music to young people – there was no realistic prospect of any money in it – so, undeterred and with characteristic bullheadedness, Burgess taught himself to play the piano at the age of 14.
Moreso than the solitariness of his schoolyears and the often-warlike relationship between himself and his stepmother (later given brilliantly repulsive illustration in the Enderby novels), Burgess was always quick to recall the Catholic, and particularly Irish, aspect of his background. At least one journalist joked that to hear Burgess talk of his home city, one would suppose that Manchester was a suburb of Dublin. With echoes of the late-century “Troubles literature” that familiarised many British and American readers with the largely self-generated Cagot-apartheid between denominations in Northern Ireland, Burgess recalled in print and on television interviews the automatic jeering and separation between “Cat-licks” and “Proddy-dogs” in Jazz Age Manchester, long before the children on either side of the dispute had any rational grounds to do so. Burgess’s father often took him aside and cautioned “Son, don’t give allegiance to any Hanoverian Protestant monarch. Your last monarch was James II.” It was taken both as a sort of nostalgic joke and as a deadly serious reminder of where the lines lay in the Britain of that era.
Once again hobbled in his ambitions to become a composer when the music department at Victoria University [Ed. Now part of the University of Manchester] turned down his application, he was instead taken in by the literature department in 1937, and a female economics student called Llewela “Lynne” Isherwood. Burgess was able to finish his degree before the inevitable call-up for National Service.
To put it plainly, the army did not suit him. He was constantly being arraigned for disciplinary offences and, most commonly, for overstaying his married leave. Despite his best efforts, the army promoted him to sergeant and found a place for him in the Educational Corps. Burgess’s flair for language earned him a posting in Gibraltar, working as a debriefer on behalf of stranded Dutch and French expatriates. A brief lock-up on the other side of Spanish border following an ill-advised tirade on the diminutive height and not-so-diminutive portliness of General Franco would be given its vicious counterpoint in an incident made famous by a disturbing quasi-literation in A Clockwork Orange: Lynne, still back in England and pregnant with the Burgess’s first child, was beaten and raped by a gang of marauding American deserters under the cover of the blackout, losing the baby as a consequence. Burgess, for reasons unknown, was denied home leave to see her. The horrifying inability to protect his wife or even comprehend the reasons for such an act seems to have given succour to Burgess’s mystical-Catholic belief in the existence of a pure evil that stalks out potential in every human being. Try to find any trace of rational-choice doctrine or liberal social-excuse theory in the following passage:
All right, Dim,’ I said. ‘Now for the other veshch, Bog help us all.’ So he did the strong-man on the devotchka, who was still creech creech creeching away in very horrorshow four-in-a-bar, locking her rookers from the back, while I ripped away at this and that and the other, the others going haw haw haw still, and real good horrorshow groodies they were that then exhibited their pink glazzies, O my brothers, while I untrussed and got ready for the plunge. Plunging, I could slooshy cries of agony and this writer bleeding veck that Georgie and Pete held on to nearly got loose howling bezoomny with the filthiest of slovos that I already knew and others he was making up. Then after me it was right old Dim should have his turn, which he did in a beasty snorty howly sort of a way with his Peebee Shelley maskie taking no notice, while I held on to her. Then there was a changeover, Dim and me grabbing the slobbering writer veck who was past struggling really, only just coming out with slack sort of slovos like he was in the land in a milk plus bar, and Pete and Georgie had theirs.
These are not horrors to be explained away by some bunk about absentee fathers or inadequate youth-group opportunities. The bucking refutation of modern sociological ideas in A Clockwork Orange is, in my view, the true cause of the furore later kicked up around the hitherto modestly known book when the Stanley Kubrick film appeared. As Burgess himself noted, the Russell-esque socially liberal literati, who normally kept their safe, snobbish distance from those poor working-class underdogs whom they supposedly championed, took great personal offence at the character of Alex – an obviously intelligent, strategically minded-young man with two loving parents and an orgasmic appreciation for “lovely Ludwig van.” They were forced to see, not as they usually did a violent, irrational sub-species in need of a good Pygmalion-job, but instead a character they themselves identified with.
A Clockwork Orange takes the territory explored by Dostoyevsky via Raskolnikov to a logical end by removing even the pretence of a reason for what Alex does. Unlike the would-be Übermensch Raskolnikov, there are no delusions of grandeur to Alex. His material needs are well-satisfied, and he delights in the pleasure of violence itself rather than violence as a means to an end like robbery or survival. He indulges in evil acts more or less for their own sake. He knows the difference between right and wrong, but simply fails to consider why such a contrast should impede him. More chillingly to the modern progressive mind, Burgess takes a firm stand on the human necessity that Alex be able to choose to live in such a way. A further insult is levelled at the intelligentsia by the way in which their “Ludovico Treatment” gives us a stronger feeling of nausea and repulsion than any of the crimes committed by young Alex, because the former is a hideous restriction on any moral choice that renders the victim an eponymous clockwork orange – only superficially organic and alive. By contrast, the ultra-violence and juvenile thuggery of the Droogs is all-too-human. Their lives are an expression of forces that cannot be created or destroyed; merely redirected; a fact so wonderfully illustrated by Burgess when a wretched, suffering, “reformed” Alex is torturously worked over by two policemen, whom he suddenly recognises as former members of his gang.
Although A Clockwork Orange is the title most people will conjure in their minds when they hear the author’s name, for Burgess, the success and media frenzy around the book became a case-study in the ancient artist’s headache: the inability to choose which of your works becomes a public ‘favourite.’ Though the creation of Alex’s “Nadsat” argot is a deservedly acclaimed feat, Burgess was always quick to point out that he considered the work a minor one of his own canon, a jeu d’esprit knocked off in a couple of weeks. From the release of the film to his last days, he was continually badgered by obnoxious phone calls from tabloid papers and crusading members of the public asking if he felt personally responsible for that week’s nondescript heinous act of violence, particularly if the act in question involved sexual extremism.
But Burgess, ever our dogged professional, was never one to pass up the opportunity to turn a unique life experience into fine prose. Picture a corpulent, dyspeptic middle-aged English poet-cum-lecturer staggering around a New York apartment borrowed from some ten-a-penny feminist academic on sabbatical. He’s naked. He’s staggering towards a telephone which, when answered, usually delivers a barrage of ranting phone calls from angry citizens who are eager to denounce him for what began as a film adaption of Hopkins’ poem The Wreck of the Deutschland, which has evolved to become a salacious piece of exploitation. The poor chap did not produce, write, or contribute to the project in any meaningful sense, but nevertheless his name has appeared all over the credits. A talk show has phoned asking him for an appearance that night:
[…] Some boys have been attacking some nuns. In Manhattanville. I’m shocked you didn’t know. I assumed–
“Nuns are always being attacked. Their purity is an affront to the dirty world.”
“Remember that. Remember to say that. But the point is that they said they wouldn’t have done it if they hadn’t seen the movie. That’s why we’re—”
I see. I see. Always blame art, eh? Not original sin but art. I’ll have my say, never fear.”
“You have the address?”
“You ignore art as so much unnecessary garbage or you blame it for your own crimes. That’s the way of it. I’ll get the bastards, all of them. I’m not having this sort of nonsense, do you hear?” There was silence at the other end. “You never take art for what it is – beauty, ultimate meaning, form for its own sake, self-subsisting, oh no. It’s always got to be either sneered at or attacked as evil. I’ll have my bloody say. What’s the name of the show again?” But she had rung off, silly bitch.
Enderby went snorting back to his poem. The stupid bastards.
Enter Francis Xavier Enderby. On the back cover of my copy of the excellent Vintage Classics edition of ‘The Complete Enderby,’ is a snippet of praise from Gore Vidal, who pronounces the Enderby series to be “even finer comedies than those by Evelyn Waugh.” I cannot really disagree with this, devotee of Messrs Pennyfeather and Boot though I am, but my first point of comparison would not be to anything by Waugh, but rather to the borborygmically-challenged elephantine Catholic Ignatius J. Reilly in John Kennedy Toole’s A Confederacy of Dunces.
The Enderby novels (Inside Mr Enderby, Enderby Outside, The Clockwork Testament and Enderby’s Dark Lady) belong to that august class of comedic books which can be called, without hyperbole or cliche, achingly funny. Concerning the declines and falls of a minor poet who writes in his filthy lavatory and lives off a small annuity left him by his detested stepmother (Burgess leaves little speculation room for biographical critics), Enderby appears to us as a kind of innocent shrew of self-supported masculinity, unsociable and fragile as he may be. His livings, though squalid, are secure, and his muse is to be reliably found in the WC whenever he wishes to call upon her. Any aspiring writer or artist will know what a screamingly enviable position this is to be in.
But alas, the forces of polite society, modernity, Ludovico-toting medical-establishment quacks and (shudder) females and marriage all conspire to destroy what precious little Enderby has in life. Like any master of the picaresque, Burgess knew that the plot is wholly superficial; what keeps the humour alive and glowing is the flavour of each situation the protagonist finds themselves in, and how they go about the inevitable extrication into the next one. Enderby’s numerous literary and menial vocations, alternate personalities, disconcerting love interests, expatriate nationalities and endless personal problems are navigated deftly enough by Burgess, though with a little slowing and self-indulgence at various points.
It feels a little wrong to reserve so little space for the “serious” masterpieces. Like everything Burgess wrote other than A Clockwork Orange, the major novels remain ignored and little-read. NapoleonSymphony is a controversial, rather Freudian portrait of l’Empereur composed along the lines of Beethoven’s Third Symphony, which in itself might be the only work of art famous for who it isn’t dedicated to. Earthly Powers deserves its own treatment entirely, but suffice to say it is a heroic send-up of a man Burgess fervently envied for his wealth and literary celebrity – the repressed homosexual author, intelligence agent and fellow Riviera-expatriate W Somerset Maugham. Christopher Hitchens pointed out that the novel’s famous first line (“It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me.”) is such savagely accurate parody because it is so much better than anything “poor old Willie” ever wrote in his life.
There is so much more to Burgess than can be covered in a small essay such as this. He began his career, for example, with the superb Malayan trilogy, concocted when he was a colonial civil servant in the 1950s with a terminal diagnosis (obviously proved to be wrong) and a moody, alcoholic wife to support as best he could. The switch from “John Burgess Wilson” to “Anthony Burgess” was to accommodate the fact that in those days, it simply wasn’t on for respectable government men to write funny novels. But Burgess knew which career beckoned most.
What I admire most about him was the sheer professionalism he brought to the craft of writing. There is nothing bohemian or “artsy” or, God forbid, “Bloomsbury” about his character or life. This is borne out in his habits – come rain, come shine, come hangover, he would swing his way to the writing room at nine o’clock each morning to set down his 2,000 words. Other writers chided him for this (“written your weekly novel yet, Burgess?”) but this was so obviously spurred by shame and jealously. There really never is any excuse for the loose manner in which so many scribblers comport themselves; writing is not some gentlemanly pastime but a profession, with all the great and grim caveats that label entails. When encouraged by his publishers to try a word processor, Burgess rejected it not for any romantic attachment to typewriters or pen-and-ink, but because the keys could be pressed all to easily – “the slam of key against platen is like the hammer to the anvil, you can hear that work is being done.” Ite, missa est, Mr Burgess.
WILLIAM MARKLEY feels Twain’s great novel has much to say to our age
The ticking of a clock on a mantelpiece – the joy of eating corn pone after a hard day – lights of a hillside village, seen from a raft on the Mississippi River. Mark Twain’s novel The Adventures of Huckleberry Finn powerfully evokes the atmosphere of a long-ago America. Along with the details and flavours of everyday life, Twain looks at social problems, habits and moral quandaries that were significant before the American Civil War: slavery, mob violence, feuding families, hospitality to strangers, loyalties pulled in different directions. Some readers today will immediately assume how they would respond to such issues if they found themselves transported back to the 1840s. Yet Huckleberry Finn is concerned with timeless questions and inner struggles which aren’t as easily resolved as we might think. These loom large for the narrator Huckleberry, or Huck as he is known to his friends.
I befriended Huck Finn late in life. Although the book was long considered one of the greatest of American novels, it wasn’t among my schools’ required readings. I was a bookworm as a boy, but I avoided stories with children as principal characters. I wanted to read only about adults and their adventures. Little did I know how Mark Twain offered a narrative and a power of description that would grab a reader’s attention. Huck faces his inner dilemmas as he proceeds on an eventful trip along the Mississippi valley – and Twain weaves several unforgettable characters into the story—especially the runaway slave Jim.
I’m very fortunate to have an early-19th century clock. When I hear it ticking and chiming, I marvel at hearing the same sounds which meant something to people in Huck’s day, and which aren’t commonplace anymore. We still have many of the same yearnings, fears, and joys that people had when my clock was made. And yet, as the English novelist L. P. Hartley wrote, “The past is a different country. They do things differently there.”[1] Americans in the first half of the 19th century had serious worries and troubles I don’t have: cholera, Indian attacks, how the crops would fare, and how many children in the family would survive the winter. All of us today make decisions about right and wrong, but I haven’t had to face the predicaments caused by slavery which plagued northerners and southerners.
Back to the book. Soon after Huck flees downriver to escape his abusive father, he encounters Jim, and the two develop a deep affection and appreciation for each other. Yet Huck grew up in a slaveholding society which stamped its values on him. His white family was destitute, without any slaves, but in this society everyone was expected to consider some people as the legal, legitimate property of others. Slaveholders’ rights were held sacred. At times, Huck is remorseful for going against the law and the feelings of Jim’s owner. Conscience for him isn’t the simple matter that it might seem to be, to one raised in a society that preaches egalitarianism or ‘equity.’ On the other hand, his torments resemble what we sometimes experience today when confronted with very different social matters. Ultimately, Huck decides that his loyalty to Jim and his commitment to help Jim find freedom override what society insists that he should do. Agonizing over this, he believes his conscience tells him that he’ll go to hell for this decision. His unsophisticated yet eloquent ruminations are memorable.
Such struggles might have rung true to thoughtful Southerners in the 19th century. Some of the most devoted soldiers of the Confederacy had principles regarding slavery which today’s readers might find surprising. General A. P. Hill was firmly against the institution, and he did not own slaves. “Stonewall” Jackson was very kind to his slaves, and, against the local laws, he devotedly taught them to read and write as part of a special “Sunday School” which he created for them. Some leaders, such as Confederate Vice President Alexander Stephens, believed that they offered their slaves better lives than would be available otherwise. Immediate emancipation might place former slaves in more dangerous conditions than they had lived under previously. Not all slaveowners considered these factors, but it’s undeniable that people of good will in the South found themselves in a situation without simple, easy answers. And over 600,000 men died trying to settle the issue.
While the West made tremendous, praiseworthy efforts in the 19th century to eradicate slavery, it still hasn’t gone away in the world. Various forms of human-trafficking are thriving, as the recent movie Sound of Freedom highlights. Most of us have been insulated from these all-too-hidden crimes, and yet the victims suffer as horribly as any slaves did in earlier eras.
Apart from slavery, there are other prominent moral issues which beg for our attention. We allow schools and other institutions to influence and indoctrinate our children in ways that earlier Americans would rightly find shocking, outrageous and deeply immoral, and we bow down meekly to governmental and corporate forces which our ancestors would have rejected with contempt.
C. S. Lewis aptly warned about the “chronological snobbery” of people who feel superior to those of the past. A prominent feature of ‘wokeness’ is a vicious form of this – an overwhelming disdain for our ancestors, based on historical ignorance and rampant self-regard. The destruction of monuments, memory-holing of politically incorrect writings, and transformation of public schools and colleges into indoctrination centers are among the manifestations – and of course there is the “cancelling” of individuals.
Huckleberry and other characters use coarse language, especially regarding race, which publishers and HR staff would now find shriek-worthy. Yet Mark Twain shows much more compassion, understanding, moral clarity and nuance about race, character and moral dilemma than many modern people will offer. And despite uttering words which would immediately get him cancelled today, Huckleberry clearly shows in his actions, and in his other words, that he loves others, no matter their race. Jim does the same, and is presented by Twain in a rounded way, rather than as an unblemished victim. Like Huck, he admits that he has acted in ways which he deeply regrets. Both characters are curious observers who sometimes think critically, yet sometimes succumb to superstition, as many of us still do. As T. S. Eliot says, Huck and Jim “are equal in dignity.”[2]
One unforgettable episode, while Jim is absent for a time, is a tragic feud between two families. After Huck is nearly killed in a mishap on the river, he is cared for by a cultured family, the Grangerfords. The intriguing Colonel Grangerford is a sympathetic, strong character, but he and several members of his family are urged on by dire imperatives imposed by their clannish local society. In some regions of America, where law wasn’t as firmly established as elsewhere, family and tribal ties and obligations were much tighter than we see today. This could result in feuds lasting for generations, with later participants not even understanding the origins of the violence. In the case of the Grangerfords and their opponents, Eliot noted that Twain allows “the reader to make his own moral reflections.”[3] My own reaction is that while the feud is undoubtedly a terrible folly, some of the Grangerfords show admirable loyalty to their own kin. Today, maybe we have strayed too far from such loyalty. Somewhere there’s a balance that should be sought.
For the most part, America has traveled far away from the kind of clannishness shown by the Grangerfords. We now have widespread rootlessness, and a separation from family and community. Many grandparents, parents and children live in different states, and social media doesn’t offer enough to make up for the distance. Neighbours rarely interact with each other compared with earlier times, when families frequently invited neighbors and even strangers over for a meal. This atomization has obviously grown more extreme with the growth of digital technology, and the influence of mass popular culture. In Huck’s day, the frontier encouraged some similar centrifugal tendencies, while it also offered opportunities to people who needed a fresh start. Mutual-assistance organizations strengthened community ties, even in frontier areas. These have almost completely vanished. A close-knit community can descend into a mob, as shown in Huckleberry Finn, yet something has clearly been lost.
Grimness isn’t the only mood of the book – far from it. And Twain has a way with describing the world of the Mississippi:
“Sometimes we’d have that whole river to ourselves for the longest time. Yonder was the banks and the islands across the water; and maybe a spark – which was a candle in a cabin window; and sometimes on the water you could see a spark or two – on a raft or a scow, you know; and maybe you could hear a fiddle or a song coming over from one of them crafts. It’s lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them…”
As much as I like the book and find it thought-provoking, a few parts of it are unappealing to me. Huck’s friend Tom Sawyer makes a welcome appearance at first, yet his elaborate schemes for pushing Huck and Jim into 19th-century romantic adventure-novel scenarios become tiresome. Nevertheless, the lyrical passages, adventure narrative, well-drawn characters and realistic, perceptive portrayals of moral questions and resolutions more than make up for any weakness. People act kindly, cruelly and with mixed motives, and in some cases this is all demonstrated by a single character. Like most boys, Huck can be callous, and also kind and generous. In his thoughts he contradicts himself, as most of us do. Along the river he meets murderers, frauds and other unpleasant characters, along with people who are models of charity, and although he and his creator wouldn’t want themselves to be pigeonholed into any particular church or creed, Huck develops a very Christian ability to love his neighbors.
Twain had seen a lot of the world and of people by the time he wrote this book. Born in 1835, he grew up in small Missouri towns, worked a variety of jobs including riverboat pilot, spent time in the American far west, and settled down in the more established east. He knew too much to present simplistic characters and an overly sentimental story. And yet, as critic Fred Pattee wrote, Twain “was a knightly soul, sensitive and serious, a nineteenth-century soul who would protect the weak of the whole world and right their wrongs.”[4] With Huckleberry Finn, Twain shows us a lost world, but he also helps us understand ourselves, if we’re willing to put our smartphones down for a while.
[1] Hartley, L. P., The Go-Between, London: Hamish Hamilton, 1953
[2] T. S. Eliot, “An Introduction to Huckleberry Finn”, in Bloom’s Major Literary Characters: Huck Finn, Philadelphia: Chelsea House Publishers, 2004, p. 20
WILLIAM MARKLEY was born and raised in Ohio, in the United States, and currently lives in Erie, Pennsylvania. He has worked in librarianship, government, and the corporate sector, and is currently a caregiver for elderly and disabled clients. He is an old-fashioned American anglophile, and an amateur historian, who has written on local history topics, and conducted oral history projects