CLARENCE CADDELL lives on sheep and cattle country in Victoria’s Western District, where he teaches high school English and humanities. He edits The Borough (theboroughpoetry.com), a journal scheduled for launch in September. The poems published here will be collected into the manuscript to be entitled ‘Broken Words,’ a narrative of marital conflict and eventual divorce.
Digital Memories
I think we are immovable by now.
Or what might happen?—What and how
Exactly? Rather, when will it fall, our last
Embrace before the endless fast?
I wonder too if in succeeding time
Nostalgia for our distant prime
Will see me find again and contemplate
Hot selfies you once sent as bait.
Home Is Not Sad
What happened to us was unthinkable
As matter in itself, of how our house
Kept standing in our absence like a fool,
So lacking in the least panpsychic nous
That when I first came back here without you,
Without our children, here was a cliché
It must have meant for a symbolic coup:
A pile of hearth ash by the door as grey
As were the clouds. If I had an idea
Of what it would be like, it was as far
From this as noumenon from all these mere
Phenomena. My idiotic car
Behind, beneath that senile portico,
The lock and key spoke: ‘What we know, we know’.
CLARENCE CADDELL is the author of a collection of verse, The True Gods Attend You, published by Bonfire Books. His poems have appeared recently in The Brazen Head as well as in Quadrant, The Crank and other venues. A translation of Jean Moréas’ Les Stances is underway, as well as another book of original poetry