Alexander Adams | From iconoclasm to ruins | Winter 2020 |
| The decadence and darkness of Symbolism | Spring 2021 |
| The rights of the human heart: essays by Camus (review of Personal Writings and Committed Writings) | Spring 2021 |
Marcus Bales | Paris and Helen | Autumn 2020 |
Ken Bell | From Westminster to Whitechapel and back (review of The Peer and the Gangster) | Autumn 2020 |
| Why two tribes went to war – Brexit’s background (review of Brexitland) | Winter 2020 |
| Chumservatives (review of Diary of an MP’s Wife) | Winter 2020 |
| Brexit blindness (review of Three Years in Hell: The Brexit Chronicles and Heroic Failure: Brexit and the Politics of Pain) | Spring 2021 |
| A realm apart: why Brexit happened (review of This Sovereign Isle) | Sprin 2021 |
Edgar Breau | Interview | Winter 2020 |
Mark Brennan | Leaving New York | Autumn 2020 |
| This sporting life – from football to (web)surfing | Winter 2020 |
Allegra Byron | Something rotten in the state of education | Spring 2021 |
Caroline Davies | The Pencil Game – Portrait of the Artist as a Student – I poured out my sovereigns among the teacups – Shreds | Spring 2021 |
Paul Garner | Blake’s 7 – moral darkness in deep space | Autumn 2020 |
Stephen Garnett | From cold winds to white heat – the Britain that was (review of Winds of Change – Britain in the Early Sixties) | Winter 2020 |
Claudia Gary | Mad scientist’s subjects – The littlest angel – Tornado | Winter 2020 |
Benjamin Gelman | Corporate account | Autumn 2020 |
Peter B. Gemma | Is there a future for ‘Trumpism’? | Winter 2020 |
Maurice George | Has the National Trust lost its way? | Winter 2020 |
Derek Gow | Return of a native | Autumn 2020 |
Liam Guilar | Scenes from a closely observed life (review of Still Life | Autumn 2020 |
| The once and un-killable king (review of King Arthur – The Making of a Legend) | Winter 2020 |
| Shores, stars…and unmade beds (review of Bethesda Constellations and The Celestial Set-Up) | Winter 2020 |
| Rewriting the Middle Ages (review of Isolated in Aber Cuawg) | Spring 2021 |
| Britannia in peril: extract from an epic | Spring 2021 |
Mark Gullick | Gimme shelter – the fall and rise of the 60s | Autumn 2020 |
| American piety: meet the new boss | Spring 2021 |
| After the headrush – (review of Rip It Up And Start Again: Post-Punk 1978-1984) | Spring 2021 |
Rahul Gupta | Seasonal interlude for an Arthurian epic: from Autumn | Winter 2020 |
Daniel Gustafsson | Beacons – Brands – The Loki Stone | Spring 2021 |
Ivan Head | Sonnet on the philosophy of lawn bowls | Autumn 2020 |
Robert Henderson | Forget coronavirus – the true global existential threa | Autumn 2020 |
Emma Fennell Hodson | Summers with foxes | Winter 2020 |
Greg Jinkerson | A E W Mason – Moral courage and martial virtue | Autumn 2020 |
| Worlds before Narnia – C. S. Lewis’s Heaven | Winter 2020 |
Leslie Jones | Fear of frying (review of Dresden – The Fire and the Darkness) | Autumn 2020 |
Janet Kenny | Antal Szalai’s Gypsy Band in an Australian Country Town – Flying Foxes – Tienanmen Shopper – Wild | Spring 2021 |
Gomery Kimber | Colin Wilson redux (review of Eagles and Earwigs) | Spring 2021 |
Peter King | Mod cons | Autumn 2020 |
| Home learning | Winter 2020 |
Sydney Lord | Medusa’s hair | Autumn 2020 |
Stoddard Martin | The genial and the unintelligible – George Santayana on Ezra Pound | Autumn 2020 |
Ronald Maxwell | On the occasion of President Obama’s wreath for the Confederate Memorial | Autumn 2020 |
Stuart Millson | All the world’s an empire | Autumn 2020 |
| A gallop through English myth | Autumn 2020 |
| Classical Kent | Winter 2020 |
| Come back, Mrs. May – all is forgiven! | Winter 2020 |
| Orpheans of the fringes | Winter 2020 |
| Cornysh, Campion, Dowland: England’s sweet songsmiths | Spring 2021 |
| The partition of Scotland | Spring 2021 |
Faith Moulin | The forgotten Levels | Winter 2020 |
Helen Neave | Nature cure | Winter 2020 |
Christopher G. Nuttall | Robert Heinlein across space and time (review of The Pleasant Profession of Robert A. Heinlein) | Autumn 2020 |
Dermot O’Sullivan | Rathfarnham – ‘Big House’ borderlands | Winter 2020 |
Mark Patton | When gentlemen adventurers step ashore | Autumn 2020 |
| From Jim Crow to George Floyd – a street-level view of US policing | Winter 2020 |
Alex Pugh | Auntie’s anti-conservatism | Autumn 2020 |
Luis Quintais | Amphitheatre – Yes, in all leave-takings – Weapons designed by the gods – A horse speaks – After the horse, Xanthos spoke (tr. by Lesley Saunders) | Winter 2020 |
Rosalind Rawnsley | Work with joy – Rawnsley, Ruskin and the Keswick School of Industrial Arts | Winter 2020 |
| Learning from history: Herbart, Hayward and the Celebration Movement | Spring 2021 |
Christopher Sandford | A truly progressive rocker (review of Steve Hackett’s Genesis in My Bed) | Autumn 2020 |
| Moby Grape – the greatest rock-and-roll combo you’ve never heard of | Winter 2020 |
| 50 years of Sticky Fingers | Spring 2021 |
Lesley Saunders | See QUINTAIS | Winter 2020 |
| Aeneas in tears (review of two translations of the Aeneid’s Book VI | Spring 2021 |
Barry Spurr | Why Milton matters | Autumn 2020 |
William Stroock | The resurrection and evolution of a metalhead | Spring 2021 |
Lennart Svensson | Mountain preaching | Autumn 2020 |
Andrew Thornton-Norris | Richard Whiting – Comedy – The god of modern life | Spring 2021 |
Derek Turner | Something about Stonehenge | Autumn 2020 |
| Tories and true believers (review of Small Men on the Wrong Side of History) | Autumn 2020 |
| Un-easy listening | Autumn 2020 |
| Stuff and nonsense (review of The Culture of My Stuff) | Winter 2020 |
| A road by any other name… | Spring 2021 |
David Upton | Deep mapping the imagination | Winter 2020 |
Guy Walker | Spleen, by Baudelaire (tr.) – Human Discourse | Autumn 2020 |
| Seen and unseen – horrors of the Holodomor (review of Mr Jones) | Autumn 2020 |
| Of course a man can imagine what it’s like to be a woman | Spring 2021 |
Susan Watson | Reading The Rainbow – These are the things that should remain unsaid – In the mouth of the shadow (tr.) – By heart | Winter 2020 |
Selby Whittingham | English impressions | Autumn 2020 |
Michael Wilding | John Dee and Edward Kelly – through a glass darkly | Autumn 2020 |
| Secrets of the archives | Winter 2020 |
| Campus tragedy | Spring 2021 |
Alex Woodcock-Clarke | “No, Mr Bond – I expect you to die!” | Autumn 2020 |
| Rage, rage, rage for the killing of the light! | Winter 2020 |
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